Strauss

Die Frau ohne Schatten

Kupper, Bensing, Schlüter, Kronenberg, Eustrati, C. Ludwig; Zillig
Frankfurt, 1950

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Die Frau ohne Schatten

Recorded just a year after Strauss' death and over three decades after the opera's premiere, this performance offers a compelling glimpse into the early performance tradition of Die Frau ohne Schatten. Annelies Kupper's silvery soprano suits the Empress beautifully, and Heinrich Bensing brings both lyrical sensitivity and power to the Emperor's punishing vocal lines. A young Christa Ludwig makes a memorable impression as the Falcon, hinting at her future affinity with Strauss. Erna Schlüter struggles with the role of the Dyer's Wife, unable to navigate its treacherous tessitura even with lowered passages.

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David R.✓ Top Reviewer

United States

Overall rating

Very Good Uncut Performance, Excellent Sound!

A lot of Frau aficionados may pass this performance by because the leading singers may not be familiar. Big mistake. They are excellent and easily match some of their better known colleagues. Winfried Zillig conducts a note complete performance for the Hessian Radio years before Sawallisch's complete studio set was made decades later.Kupper easily soars through the Empress' tessitura (including a spot on top D in her opening aria). If she isn't as intense as Rysanek dramatically, she sings the coloratura passages with greater ease. Diana Eustrati, a Greek mezzo who sang with several German houses for years, is a superb Nurse. Her voice easily encompasses the wide range of the role. Bensing's career was tragically cut short by an early death at 44. He sings the Emperor with security and imagination and is one of the few tenors who can clearly be heard on the role's final top C. Kronenberg is a strong Barak and Schluter a Dyer's Wife who doesn't wobble. It has to be admitted that by this time in her career she didn't have anything above a B-flat so she rewrites the vocal line quite a bit to accommodate that; Strauss would not have minded. A young mezzo named Christa Ludwig sings the voice of the Falcon. The sound is excellent with little or no distortion. A few brief passages (including the beginning of the final quartet) were patched in from another performance with other singers, but it's edited so skillfully you really have to be paying attention to detect them.
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