Strauss

Ariadne auf Naxos

Zadek, Hopf, Jurinac, Streich; Keilberth
Köln, 1954

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Ariadne auf Naxos

This recording of Ariadne auf Naxos offers an unusual but striking fusion of Wagnerian vocal weight and Mozartian delicacy. Hilde Zadek and Hans Hopf bring a grandeur to the roles of Ariadne and Bacchus that adds surprising gravitas to Strauss's otherwise intimate chamber opera.

Rita Streich is a delight as Zerbinetta—her coloratura is nimble and effortless, her comic timing sharply tuned. Sena Jurinac stands out in the role of the Composer, her soprano rising with ease and brilliance in passages that many mezzos would simply manage rather than savor. Her performance alone is a compelling reason to hear this interpretation.

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David R.✓ Top Reviewer

United States

Overall rating

Great Performance, Excellent Sound (Mostly)!

This radio performance of Strauss' chamber opera is populated with singers who specialized in his operas and sang together often. Jurinac is marvelous as the Composer, a role she truly made her own. Her singing is thrilling, especially in the Composer's monologue at the end of the prologue. Few have equaled her, let alone surpassed her in this role. Zadek was a very busy singer after WWII and this Ariadne shows why. Her voice easily encompasses the wide range (from low G to high B-flat) and is more consistent tonally here than it could be. With that sweet, luminous tone of hers, Stretch enchants as Zerbinetta. Other singers have brought more of a "killer instinct" to the high notes and perhaps more panache to the coloratura, but few sound so inviting or as bewitching as Streich.Hopf sounds less effortful in this performance than in some others, his voice steadier with a ring on the high notes that other tenors lack. All the supporting singers are terrific, especially the nymph trio (three very distinguished ladies) and Zerbinetta's companions. Keilberth directs a lively, beautiful performance that captures the heart of this opera.The sound is mostly excellent, but whenever the music pauses for a moment the sound suddenly disintegrates making for some uncomfortable moments. It is especially irritating during the Majordomo's part. Nevertheless all Straussians should acquire this recording and revel in this glorious opera all over again!
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