Mozart

Le Nozze di Figaro

Berry, Grist, Watson, Mathis, Wixell, Kélémen; Böhm
Salzburg, 1966

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Le Nozze di Figaro

This recording of Le Nozze di Figaro has both the bubbling energy that makes for thrilling ensembles, as well as star singers who bring all the intelligence, vocal control and purity of tone that one expects of great Mozartians. In other words, it has it all! Walter Berry presents a superb combination of both the earthy and noble qualities of Figaro. Despite being no stranger to Wagner and Strauss, he manages to scale back his large voice, embracing a conversational quality to his vocalism. Reri Grist is a firecracker Susanna who exudes charm and vocal warmth from her entrance, and throughout the many scenes that include her. Claire Watson is heard to great effect as the Countess, leaving me wondering if there was anything that this remarkable artist could not sing. Edith Mathis, herself a great Susanna, takes a turn as Cherubino, delivering a voluptuous yet pure sound. Ingvar Wixell offers a ringing Count. Additional kudos must go to Margarethe Bence’s booming Marcellina and Zoltan Kelemen’s conniving Bartolo. Karl Böhm opts for brisker tempos than his studio recording made in the 70s which helps to keep the action taut without making it seem frenzied.

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5.0 Based on 2 reviews
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Thomas K.✓ Verified Buyer

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David R.✓ Top Reviewer

United States

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Superb Performance, Excellent Sound!

This may or may not be the soundtrack of the DVD (available on the VAI label) of this performance. Either way it is terrific. Everyone is very good down to the smallest roles. Everyone is enjoying themselves. Grist and Berry, as they've shown on other occasions, are nearly perfect as the Downstairs couple. Grist's "Deh, vieni non tardar" is very hot and very beautifully sung. Berry had been singing this role for years, but he still sounds fresh. Watson is a regal Countess whose "Dove sono" brings down the house. Wixell is a first-rate Count, Mathis an adorable Cherubino. Bence, Thaw, and Kelemen not only sing their roles well, but are very funny in them without going over the top.Bohm brings enormous vitality to the proceedings, his tempos a little faster than in his famous studio recordings. Appoggiaturas are also used pretty consistently throughout the performance. The sound is very good broadcast mono with no glitches that I heard.Figaro fans should have this!
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