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Christa Ludwig
There are a few singers who hold a truly special place in the hearts of opera lovers, and Christa Ludwig was one of them. Possessing a voice of exquisite beauty and astonishing versatility, she sang across an extraordinary range of repertoire and vocal fachs. Yet it was her interpretive intelligence—her ability to communicate the emotional truth of every phrase—that often eclipsed even the sheer loveliness of her sound.
Ludwig could command the vast forces of a Wagner opera as convincingly as she could captivate an audience in intimate recital. Her performances were marked by honesty, emotional depth, and unwavering musicality. This compilation is a rich testament to her gifts, featuring excerpts from Die Fledermaus, Orfeo ed Euridice, Così fan tutte, Il Trovatore, Luisa Miller, Aida, Don Carlo, Khovanshchina, Tannhäuser, Lohengrin, Die Walküre, Tristan und Isolde, Wozzeck, Der Rosenkavalier, and Ariadne auf Naxos.
Track List
Die Fledermaus. Wien, 1975
2. Che farò senza Euridice
Orfeo ed Euridice. Wien, 1965
3. Smanie implacabili (In German)
Così fan tutte. Wien, 1966
4. Condonna ell'era in ceppi
Il Trovatore. Wien, 1977
Luciano Pavarotti, Manrico
5. Duchessa... Dall'aule raggiant di vano splendor
Luisa Miller. Wien, 1974
Franco Bonisolli, Rodolfo
6. L'abborrita rivale a me sfuggia
Aida. Wien, 1976
James King, Radamès
7. O don fatale
Don Carlo. Wien, 1967
8. Act V Aria
Khovanshchina. Hamburg, 1974
Tannhäuser. Wien, 1962
10. Entweihte Götter!
Lohengrin. Buenos Aires, 1964
11. So ist es denn aus mit den ewigen Göttern
Die Walküre. Salzburg, 1967
12. Einsam wachend in der Nacht
Tristan und Isolde. Salzburg, 1972
13. Höre mit Sinn was ich dir sage
Götterdämmerung. Salzburg, 1970
14. Komm, mein Bub!... Eia popeia
15. Und ist kein Betrug in seinem Munde
Wozzeck. Buenos Aires, 1969
16. Wie du warst
Der Rosenkavalier. Wien, 1971
Leonie Rysanek, Marschallin
17. Sein wir wieder gut
Ariadne auf Naxos. Buenos Aires, 1964
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