Description:

It is remarkable that this was just the second summer of the Bayreuth Festival after WWII, yet they had already achieved a level of artistic excellence rarely paralleled in the time since, anywhere in the world. Hans Knappertsbusch is the true star of this performance, as is the Bayreuth orchestra, who bring a level of lyricism and emotion to this score that I have never heard before. The string sections, in particular, sound as though they are populated by world-class soloists, both in tone and commitment to the melodic line. Listen to how they play through the long notes—this is highlighted in the sample I specifically chose. The intention never flags, allowing Knappertsbusch to revel in the magic of this score in a way that would be impossible with a lesser band. If you ever had reservations about Martha Mödl's vocal ability, this performance will put them all to rest. She sings with her signature dramatic commitment and remarkable vocal control. Not only are the dramatic moments full-throated, but she also manages some exquisite pianissimi. Wolfgang Windgassen's pristine tenor is perfectly cast in the title role. I could continue to sing the praises of Ludwig Weber's majestic Gurnemanz and George London's anguished Amfortas, but I will leave it at this—this *Parsifal* is near definitive.

In Mono

OD 11817-4