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Macbeth
Mario Zanasi has a triumph in this performance, displaying beauty of tone and ease of production in the title role. As Lady Macbeth, Marion Lippert brings Wagnerian power throughout her range, yet never falters when Verdi calls for a lighter, more nuanced approach. Gianni Raimondi steals the show with "Alla paterna mano" and nearly causes a riot when Fernando Previtali refuses to repeat the aria despite the audience's thunderous demand for an encore. The sound may lack a bit of range, but the vivid vocal performances more than compensate.
Track List
Act I
1. Preludio
2. Che faceste? dite su!
3. Giorno non vidi mai si fiero e bello!
4. Due vaticini compiu? or sono
5. S'allontanarono!
6. Nel dì della vittoria... Vieni t'affretta!
7. Or tutta sorgete
8. Oh donna mia!
9. Sappia la sposa mia... Mi si affaccia un pugnal!
10. Fatal mia donna! un murmure
11. Di destarlo per tempo il Re m'impose
12. Schiudi, inferno, la bocca ed inghiotta
2. Che faceste? dite su!
3. Giorno non vidi mai si fiero e bello!
4. Due vaticini compiu? or sono
5. S'allontanarono!
6. Nel dì della vittoria... Vieni t'affretta!
7. Or tutta sorgete
8. Oh donna mia!
9. Sappia la sposa mia... Mi si affaccia un pugnal!
10. Fatal mia donna! un murmure
11. Di destarlo per tempo il Re m'impose
12. Schiudi, inferno, la bocca ed inghiotta
Act II
13. Perchè mi sfuggi
14. La luce langue
15. Chi v'impose unirvi a noi?
16. Studia il passo... Come dal ciel precipita
17. Salve, o Re!
18. Si colmi il calice
14. La luce langue
15. Chi v'impose unirvi a noi?
16. Studia il passo... Come dal ciel precipita
17. Salve, o Re!
18. Si colmi il calice
Act III
19. Sangue a me quell'ombra chiede
20. Tre volte miagola la gatta in fregola
21. Ballabile
22. Finchè appelli, silenzio m'attendete
23. Vivranno
24. Ove son io?...
20. Tre volte miagola la gatta in fregola
21. Ballabile
22. Finchè appelli, silenzio m'attendete
23. Vivranno
24. Ove son io?...
Act IV
25. Patria oppressa!
26. O figli, o figli miei!... Ah, la paterna mano
27. Dove siam? che bosco è quello?
28. Vegliammo invan due notti
29. Una macchia è qui tuttora...
30. Perfidi! All'anglo contro me v'unite!
31. Pietà, rispetto, amore
32. Ella è morta!... Qual gemito?
33. Macbeth, Macbeth ov'è?
26. O figli, o figli miei!... Ah, la paterna mano
27. Dove siam? che bosco è quello?
28. Vegliammo invan due notti
29. Una macchia è qui tuttora...
30. Perfidi! All'anglo contro me v'unite!
31. Pietà, rispetto, amore
32. Ella è morta!... Qual gemito?
33. Macbeth, Macbeth ov'è?
Customer Reviews
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3.8
Based on 4 reviews
✓ Verified Buyer
France
Trop de résonances graves
Dommage pour le son. Le micro devait être à côté des contrebasses. En général les enregistrements de plein air sont plus aéré moins compact. Du coup les voix sont en 2 ème plan
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✓ Top Reviewer
United States
Correction to Below
I meant to and did type Lippert below in my review, but autocorrect kicked in, changing Lippert to Lipton. My apologies to both Marion Lippert and (presumably) Martha Lipton.
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✓ Top Reviewer
United States
Exciting Performance in Good Sound!
An Arena di Verona performance is not your typical Italian night at the opera. The audience is very much the extra character and listening to one of the recordings requires patience. The sound here isn't bad; the voices can be heard and the music makes it's effect. But if you're expecting the closely miked sound of a broadcast you're apt to be disappointed.Zanasi is an excellent Macbeth, more noble than savage. His attractive baritone has no trouble with Verdi's demands and the audience likes him a lot. He interpolates a ringing high A-flat at the end of his "Pieta" aria in the last act. Lipton was a very underrated soprano who made few, if any, studio recordings. Her Lady Macbeth is assertive without going over the top. Other sopranos have sung some of the coloratura more accurately, but Lipton's secure top and dramatic instincts carry the day. She interpolates a D-flat at the end of Act One and easily makes the written one at the end of the Sleepwalking scene. Ferrin is a fine Banco and Raimondi sings his last act aria so well he nearly has to encore it (Previtali stubbornly refuses to grant one). Most of the standard cuts have been opened and Previtali includes the ballet.This isn't a recording for someone just learning the opera, but fans of the singers will enjoy it tremendously.
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✓ Top Reviewer
United States
A Chance To Hear Marion Lippert
Marion Lippert was a singer known in America as Turandot. It is great to get to hear her in another opera. The recordings sound is variable but always listenable. All the performers give performances that are worth hearing. Lippert sounds like her voice was large and powerful. She also has a beauty in it that is not always present in dramatic voices singing this repertoire. Zanasi sounds a little lighter and brighter than some of the other Macbeths but I enjoyed his sound and characterization. The cast as a whole is quite good.
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