This performance of Aida is particularly notable for featuring Jessye Norman in the title role—a rarity, given her general avoidance of Verdi throughout her career. While she delivers some ravishing moments and meets the role's high tessitura with surprising ease (including the notorious high C at the close of "O patria mia"), the fit is not entirely natural. She occasionally struggles with Verdi's long, arching phrases and has moments of pitch instability. Still, the voice itself remains as opulent and distinctive as ever, and her regal stage presence adds gravitas to the role.

Fiorenza Cossotto, in contrast, is thoroughly in her element as Amneris. Her fiery temperament and incisive vocalism make her an ideal dramatic foil to Norman's more reserved Aida. Nino Sanzogno leads the performance with flexibility, taking some interpretive liberties with the score—some more effective than others—but always keeping the drama moving forward.