I was surprised by how compelling I found this performance of Aida, sung in German by a predominantly German cast. Although all of the principal singers are noteworthy artists, few were especially associated with Verdi, making the achievement of this recording all the more striking. Each rises impressively to the demands of the score.

In the title role, Gloria Davy is a revelation, every bit the equal of the legendary exponents of Aida. She sings with consistent beauty throughout her range and unleashes glorious, rock-solid high notes to thrilling effect. Jess Thomas brings a welcome touch of lyricism to Radamès while leaving no doubt about the role’s dramatic requirements. He is particularly compelling in his Act IV confrontation with Amneris.

Christa Ludwig throws herself into the role of Amneris with remarkable commitment, fully embracing the character’s dramatic intensity while maintaining an underlying humanity. Walter Berry brings both warmth and authority to Amonasro, combining vocal excitement with tonal beauty and a strong connection to the text. Karl Böhm leads a disciplined yet consistently exciting performance, balancing structural control with a clear sense of dramatic momentum.