This performance of Elektra might scare people who don't know the opera well. Every cast member and the entire orchestra play as if their lives depended on it. These singers were all familiar with each other and the work so it's no surprise that this comes off as such a great ensemble effort.Schroder-Feinen's vocal prime would only last a bit longer, but she still has her voice under control here. The two top Cs are effortless and she has a secure grasp of the character. There are times when she seems close to the end of her tether, but that suits Elektra to a T. Rysanek is her usual force-of-nature self and Varnay will give sensitive people nightmares with her growled low notes, wicked witch cackles, and perverse death screams (they are unquestionably hers too!)The men and serving ladies are just as ferocious and determined. Bohm is a master of this score. The sound is very good though I'm not sure it's from a broadcast (perhaps a house tape?) Occasionally the voices wander off-mic, but then Klytemnestra's screams are in your face rather than sounding offstage. Elektra lovers must get this!

This is an excellent document! USF, Rysanek and Varnay is luxury casting. I also love how the recording gives you a strong sense of space. When the singers are far from the microphone, there is echoing which adds to the acoustic effect. When the voices are near the mic they sound lush and warm. Another revelation for me, after listening to so many Elektras -- is that the clarinet and winds were never so present as in this recording. Sometimes I never even thought they were there. But once I heard them, it somehow adds some comic effect to the music. Is it just me? There are two instances of audio being cut. Like in the instrumental procession before Klytemnestra's entrance. But that is just fine, given that this recording is so precious!