Every time I listen to Pelléas et Mélisande, I regret not knowing it more intimately. Debussy serves as a fascinating bridge between romanticism and modernism, with his score both reflecting Wagner's influence and charting a path for composers like Berg. This performance features the luminous Victoria de los Angeles as Mélisande, offering a nuanced portrayal that alternates between fleeting glimpses of Mélisande's inner world and a shroud of enigma. She is joined by Pierre Mollet as Pelléas, who matches her subtlety with his own layered interpretation. Joseph Rouleau stands out as Arkel, delivering a particularly memorable performance.