Rossini: Semiramide - Sutherland, Horne, Montal, Rouleau; Bonynge. 1965
$16.95
Description:
Joan Sutherland and Richard Bonynge were responsible for the revival of many forgotten bel canto operas during their prolific reign and although that made for many great evenings, few of the operas can really stand up without the help of their brilliance. In my opinion, however, the uniqueness of Semiramide and the brilliance of Rossini's under-appreciated skills as a tragedian can sustain interest even without the bling of brilliant performers like Sutherland and Marilyn Horne. That said Sutherland and Horne do much to advocate for the works merits delivering firecracker coloratura as well as thrilling high-notes. The two singers also had a synergy that allowed them to check their egos and achieve a level of ensemble in their duets that is often elusive to stars. The sound is very good, although there are a few parts missing including the overture and opening chorus as well as the beginning of the second act.
OD 10895-2
Listen to a Sample:
Exciting Performance in Good Sound!
A year or so on from their 1964 performances of this opera (OD #10837), Sutherland and Horne reassembled for yet another go at Rossini's masterpiece. In general, the sound on this later version is better, more clear and more complete (although still missing the overture and a few snippets). In fact, it seems assembled from different tape sources. The ladies' first duet is rather distant sounding, but most of the second act has the voices very present. In both performances Bonynge uses the original pyrrhic ending wherein Semiramide is stabbed, Assur captured, and Arsace crowned the new king. In their studio recording the Bonynges would employ a happier ending where it is Assur who is killed and mother and son survive. Both of the prima donnas live up to their billing as two of the greatest singers of the last century. It is not hyperbolic to state that their solos and duets are thrilling; one feels like one is really at the opera when listening to them. Rouleau is a good Assur (he would sing the role on the studio recording); I prefer Richard Cross' tone, but both handle the coloratura as well as could be expected at that time. Andre Montal does well with the one aria left him. The character of Azema (the source of Assur and Arsace's rivalry) is cut completely. If you love Sutherland and Horne, you must get this and/or the other recording from a year earlier. The sound isn't great, but it gets better as it goes along and your operatic soul will be so happy!
very good a little bit disappointed
very good a little bit disappointed because lack of hard cover CD case
Matey
First of all, I would be very thankful if anyone could confirm whether this is the same performance as the one released on CD from Boston, or if that's on the other night (which must be the 7th). Either way, this is cheaper and is still amazing. The only reason why I am asking is since the other one is a recording with no drop outs. It could also simply be another recording of the same night; if so, you should consider also getting this one!Sutherland's voice is very well captured indeed, and those D-flats and E-flats are enormous! The duets are also very beautiful and masterfully done. Finally the tenor has very decent coloratura! Ultimately, I highly recommend this recording.
