Here are the items that we found.
Tannhäuser
Initially I was drawn to this recording because of the stellar pair of leading ladies in the form of Jessye Norman as Elisabeth and Josephine Veasey as Venus, but the real reason to get this recording has nothing to do with the cast. It is a rare performance that uses the Paris revision. By 1861, Tristan und Isolde and a good amount of the Ring were already written and Wagner's composition style had completely veered from the rather conventional forms he embraced in 1843. The harmonies are lusher and the music just seems so much more advanced. It had been his intention to go back and revise the rest of the opera but it never came to pass which is a real pity given how much richer the Venusberg scene is after he revisited it. Norman is sensational as Elisabeth. In the 70's her voice has all of the richness she would become known for, coupled with a remarkable security in her upper range. Josephine Veasey offers a lush and alluring Venus equally comfortable in the dramatic outbursts as in the delicate lyric singing. Wolfgang Kassel was a last minute replacement in the title role and he gets the job done admirably (although his somewhat dowdy tone makes it hard to see why these women would be that taken with him.) Norman Bailey and Karl Ridderbusch are also quite good as Wolfram and Landgraf.
Track List
Act I
2. Geliebter, sag, wo weilt dein Sinn?
3. Dir töne Lob!
4. Geliebter, komm! sieh dort die Grotte
5. Zieh hin! Wahnbetörter! Zieh hin!
6. Frau Holda kam aus dem Berg hervor
7. Allmächt'ger, dir sei Preis!
8. Wer ist der dort in brunstigem Gebete?
9. Als du in kühnem Sange uns bestrittest
10. Zu ihr! Zu ihr! Oh, führet mich zu ihr!
Act II
12. Dort ist sie: nahe dich ihr ungestört!
13. Den Gott der Liebe sollst du preisen!
14. Dich treff ich hier in dieser Halle
15. Freudig begrüssen wir die edle Halle
16. Gar viel und schön ward hier in dieser Halle
17. Blick ich umher in diesem edlen Kreise
18. O Wolfram, der du also sangest
19. Dir, Göttin der Liebe, soll mein Lied ertönen
20. Der Unglücksel'ge, den gefangen
21. Ein furchtbares Verbrechen ward begangen
Act III
23. Wohl wüsst ich hier sie im Gebet zu finden
24. Durch Sühn' und Buss' hab' ich versöhnt
25. Allmächt'ge Jungfrau, hör mein Flehen!
26. Wie Todesahnung… O du, mein holder Abendstern
27. Ich hörte Harfenschlag
28. Hör an, Wolfram, hör an!
29. Willkommen, ungetreuer Mann!
30. Heil! Heil! Der Gnade Wunder Heil!