Wagner

Siegfried

Treptow, Wernigk, Frantz, Grob-Prandl, Anday; Moralt
Wien, 1949

Regular price $26.95
Select Format
Add to Wishlist Added to Wishlist

Siegfried

This fantastic Siegfried captures a rare glimpse of some of the finest Wagnerian singers of the 40s in fantastic sound. In the title role Günther Treptow demonstrates a pure and burly tone which maintains its evenness in spite of the horrific demands that Wagner places upon him. The color is somewhat baritonal with an upper extension that is unmistakably that of a true tenor. Ferdinand Frantz delivers one of the finest sung Wotans I have ever heard. His voice is both suave and powerful and he seems to avoid the notorious "Bayreuth Bark". Gertrude Grob-Prandl is simply astonishing as Brünnhilde. Contemporary accounts maintain that hers was one of the largest Wagnerian soprano voices in history. Although that can be difficult to bear out on recording, what is most certain is that she delivers the role with remarkable energetic vigor and soars up to the high Cs with ease and confidence.

Recently viewed

Example product title

Example product title

Example product title

Example product title

Example product title

Example product title

Customer Reviews

Share your experience with fellow collectors

4.6 Based on 5 reviews
5 ★ 3
4 ★ 2
3 ★ 0
2 ★ 0
1 ★ 0
Richard R.✓ Verified Buyer

United Kingdom

Overall rating

A superlative Siegfried

Discovering Treptow's Siegfried and Grob-Prandl's Brunnhilde (in both Siegfried and Gotterdammerung) has been a revelation. I was totally unaware of these performances until I saw them advertised on Opera Depot - and I knew very little of Moralt. I was initially attracted by Treptow who has long been one of my favourite heldentenors, but I had never heard his Siegfried. How can a performance as great as this since 1949 have escaped my notice I think it is magnificent, and am very impressed by Moralt as well. And Grob-Prandl is clearly one of the great Brunnhildes of all time. This performance is so much better than many modern, commercial recordings.
Report
Theodore S.✓ Top Reviewer

United States

Overall rating

Theodore Shulman

I must disagree with some of the other reviewers: I find Treptow hoarse and whiny. He and Wernigt (Mime) are strong negative assets to this recording. Adolf Vogel is god-awful as Alberich; he sings without line or musicality. On the other hand, Frantz and Grob-Prandl make it worth owning. Herbert Alsen is also excellent as Fafner.
Report
Herbert B.✓ Verified Buyer

Germany

Overall rating

Herbert Burger

Alltogether it is a fine recording.
Report
Joseph B.✓ Verified Buyer
Overall rating

Joseph Brand

Amazing recording quality, superb orchestral playing and conducting. Treptow is an acquired taste but rises to the challenges of act 3. Mime is a trial – barked, half-spoken, unpleasant. But Frantz is outstanding. Such a beautiful voice, perfect diction, wonderful legato and dynamics – he sings the whole role ‘bel canto’. And the icing on the cake is the wondrous Grob-Prandl – simply breathtaking in her vocalism. In sum, this set is unmissable.I’m probably the only contributor to this site who actually saw Grob-Prandl on the stage. Turandot at Covent Garden – in English – in 1951 conducted by Barbirolli. This was my first visit to Covent Garden and launched me on my lifelong devotion to opera.
Report
Daniel Z.✓ Verified Buyer
Overall rating

Daniel Zara

Everything The Man says –above–is true. But Treptow is even better than advertised. Possibly the Best of all more-or-less-contemporary recorded Siegfrieds. He even renders listenable those ordinarily annoying, yawn inducing, and attenuated wimp maunderings about his lost “mutti”.
Report