The audience definitely got its money's worth the night this performance was given. MacNeil gives his all in one of his best roles. He and Scotto partner each other very well, really listening and responding to each other. Both enjoy their interpolated high notes, but neither tries to outdo the other. Scotto is simply marvelous as Gilda. Her voice was in great shape the night this was recorded. I especially love her dreamy introduction to "Caro nome"; she sounds exactly like a young woman in love. Later on after she has been abducted and seduced her voice takes on a darker, more mature color: a classic portrayal. Tucker's voice had begun to take on a bit of a beat by this time though not really a wobble. Ironically, it helps him sound more like the self-involved libertine he is supposed to be. He knows the audience loves his high notes so he holds them just a bit longer here. Wildermann once again makes something more of Sparafucile than we normally get. Souza is a good Maddalena, but the role lies too low for her to be completely effective. The other cast members are very good. Previtali conducts efficiently and follows his singers well, making all the traditional cuts though he does give us the third act complete. The sound is from a very good mono broadcast with only a few hiccups along the way. The audience's enthusiasm sometimes leads them to applaud before the singers have finished singing. You'll understand when you hear this performance!

I've never been a big Scotto fan, but she's terrific in this Rigoletto. MacNeil is, as always, a force. Sound is good. Well worth the price. I recommend

In the 1960s, MacNeil was at the height of his powers, his voice large and warm, his timbre polished marble. Scotto is beguiling, sculpting signature phrases and “stiletto” dynamics. Tucker displays much of his clarion tone, but by this time, he lacks finesse in phrasing. In fairness, this particular bluntness lends itself to the callous Duke. Wildermann is a malevolent conspirator. In this company, Souza’s mezzo lacks the charisma of her peers. Previtali does no harm. Sound excellent.