Verdi

Nabucco

MacNeil, Renzi, Carreras, Giaiotti; Ziino
Barcelona, 1970

Regular price $17.95
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Nabucco

This performance of Nabucco delivers both established singers as well as some exciting new-comers. Cornell MacNeil, in the title role, is an astonishing force of nature, possessing the low notes of a basso profundo and a top extension that could be the envy of many tenors. Abigaille is a notorious voice-killer, but it sounds downright easy in the hands of Emma Renzi. Renzi’s voice has the cut, the coloratura as well as the ability to jump two octaves with ease. Her high Cs in the cabaletta ”Salgo già del trono aurato” are gleaming and effortless. José Carreras, still only in his mid-twenties, is the definition of luxury casting as Ismaele, and sounds fresh and ardent. Bass, Bonaldo Giaiotti brings booming beauty to the role of Zaccaria. It can at times sound watery and you lose out on some of the extremes of the upper and lower registers.

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David R.✓ Top Reviewer

United States

Overall rating

Excellent Performance in Very Good Sound!

This recording is another one of Opera Depot's "Sleepers" - a performance that is much better than it looks on the cover. Granted, MacNeil had been a star baritone for over a decade already so his reputation alone might sell the set. In the event everyone here is extremely good and the result is an exciting performance of one of Verdi's earliest operas.MacNeil is in excellent shape, his mahogany colored baritone better controlled than it could be. He knocks out an A-flat at the conclusion of his duet with Abigaille and then grandstands by holding the high G at the end of his fourth act cabaletta until he runs out of breath - don't get in his way! The underrated Emma Renzi is a thrilling Abigaille, dispatching the two octave drops and weird coloratura of her role with casual ease. She sounds like a Prima Donna in the best sense. The young Carreras makes Ismaele stand out with his beautiful, fervid singing and Alicia Maraslián gives a memorable rendition of Fenena's last act aria. Giaiotti is a very accomplished Zaccaria, a few moments of uncertain intonation in his Act Two aria aside. Ottavio Ziino leads an accomplished chorus and orchestra in a robust performance. Except for some minor static that develops under the Sinfonia and continues through part of the opening chorus, the sound is very good, the voices clear and forward; we've all heard a lot worse.Highly recommended.
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