Verdi

La Forza del Destino

Bergonzi, Cavalli, Shaw, Ghiaurov, Capecchi, Veasey; Solti
London, 1962

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La Forza del Destino

La Forza del destino, one of Verdi's most challenging and complex operas, gets a probing, melancholy reading from Georg Solti. Even during the rambunctious scenes with Preziosilla, (a somewhat out-of-place) Josephine Veasey can't hide the despair that runs like a river through this opera. The cast is solid, although the men rather outdo the women. House baritone John Shaw sings very admirably as Carlo without much dramatic intent. Nicolai Ghiaurov lends his reliable gravitas to the Padre and Renato Capecchi leans on the funny rather than the nasty side of Melitone. The women fare less well. "Saucy" is not a word one usually would use to describe the stage presence of Josephine Veasey, so her Preziosilla is kind of a wash. The Leonora, Floriana Cavalli, is a name unknown to me, and unfortunately her unsteady intonation betrays why. Although she has some lovely top notes, Solti clearly was prepared for an indifferent reaction from the audience and he does not pause for applause after her arias. This has the side effect of allowing Alvaro to become the opera's real central figure, and here Bergonzi does not disappoint. He, unlike pretty much everyone else onstage, is capable of matching the fire Solti raises from the pit, and there is some thrilling vocalism, especially in his duets with Shaw. Sometimes it only takes a great tenor and a great conductor to raise a performance from mediocrity.

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4.3 Based on 4 reviews
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David R.✓ Top Reviewer

United States

Overall rating

Excellent Performance in Excellent Sound!

La Forza del Destino was not performed often in England when this performance took place so this was a rare chance for Londoners to hear Verdi's sprawling melodrama. Solti, as was his wont, makes only a few minor cuts and includes the often omitted (at that time) "Sleale!" scene for Alvaro and Carlo. He certainly performs more of the score and in the correct order of scenes than the Met at this time.Bergonzi's Alvaro is more the gentleman than, say, Corelli's was, but he is still believable as a young man driven to murder by forces beyond his control. His eloquent singing wins cheers from the normally reticent Covent Garden audience. Shaw is an excellent Carlo and Ghiaurov sounds like one imagines God would sound under these circumstances. Capecchi is lovable as the cranky Melitone. Cavalli's musical and dramatic instincts are sound and she clearly knows how the role is supposed to go. Her voice is attractive enough, but she has very little technique. The top notes are all there, yet some are perilously undersupported. She sounds like a singer who left school too early when there were still technical issues. Veasey has all the high notes too (important in this role) and she has been well-coached. The sound is from a very good broadcast tape, pitched correctly. If you like Forza and Bergonzi, you should get this.
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Kenneth S.✓ Top Reviewer

United States

Overall rating

Kenneth Sherrill

Really good -- perhaps surprisingly so. Pretty much Covent Garden's A cast with the exception of Cavalli, who is quite good. She's the kind of gutsy Italian soprano that we took for granted fifty years ago but miss terribly these days. Bergonzi, of course, is great. He shows over and over again that he was the finest Italian tenor of his generation. The duets with Shaw go very well. Veasey is far more Italianate than I expected.
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Vincent T.✓ Verified Buyer

United States

Overall rating

Vincent Tillona

Very good performance
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Edoardo B.✓ Verified Buyer

Italy

Overall rating

Edoardo Buroni

It's a good and interesting execution
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