The fact that the overture to this dramatic opera is identical to that of Il Barbiere di Siviglia does little to set a serious tone for the evening. Throughout the work, Rossini repurposes portions of Barbiere even during critical dramatic moments. However, if you can set aside these associations, you’ll discover Rossini at his finest, showcasing his mastery as a tragedian.

And what better character to showcase a soprano’s skill than Elizabeth I? The role demands extraordinary stature and vocal command, and Leyla Gencer delivers in every way. From her commanding first entrance to the powerful final scene, Gencer captures all the complexities of this regal and tortured character.

It takes a courageous soprano to stand alongside such a force, but Sylvia Geszty rises to the challenge as Matilde, her pure, youthful tone providing an ideal counterpart. Umberto Grilli shines as Leicester, bringing ardent passion, technical precision, and impeccable Rossini style to his performance.