Here are the items that we found.
Walter Berry
In compiling this retrospective, one is struck by the sheer breadth of Walter Berry’s repertoire—a range far more expansive than his well-known work in Wagner and Strauss might suggest. While his commanding presence in those dramatic roles is rightly celebrated, this collection also highlights his finesse and tonal beauty in Mozart, where his artistry proves just as compelling. Berry’s rich, expressive baritone and impeccable musical instincts mark him as one of the great singers of the 20th century. The compilation features arias from Don Giovanni, Così fan tutte, Le Nozze di Figaro, Die Zauberflöte, Fidelio, Aida, Tristan und Isolde, Die Walküre, Wozzeck, Die Frau ohne Schatten, and Der Rosenkavalier. He is joined by notable collaborators including Gloria Davy, Ursula Schröder-Feinen, Christa Ludwig, and Jon Vickers, further enhancing the richness of this portrait.
Track List
2. Ah, pietà, signori miei!
Don Giovanni. Wien, 1963
3. Il core vi dono
4. Donne mie, la fate a tanti
Così fan tutte. Wien, 1968
5. Tutti accusan le donne
Così fan tutte. Salzburg, 1969
6. Se vuol ballare
7. Aprite un po' quegli occhi
Le Nozze di Figaro. Salzburg, 1966
8. Der Vogelfänger bin ich ja
9. Papagena! Papagena! Papagena!
Die Zauberflöte. Salzburg, 1964
Renate Holm, Papagena
Fidelio. Milano, 1974
11. Ciel, mio padre! (In German)
Aida. Berlin, 1960
Gloria Davy, Aida
12. Der einst ich trotzt'
Tristan und Isolde. Salzburg, 1972
Jon Vickers, Tristan
13. Loge, hör'!
Die Walküre. Salzburg, 1967
14. Das Messer? Wo ist das Messer?
Wozzeck. Salzburg, 1972
15. Speise für dreizehn, wenn es not tut
Die Frau ohne Schatten. Salzburg, 1975
Ursula Schröder-Feinen, Färberin
16. Schweiget doch, ihr Stimmen!
Die Frau ohne Schatten. Salzburg, 1974
Christa Ludwig, Färberin
Ingrid, Mayr, Stimme von Oben
17. Da lieg' ich
Der Rosenkavalier. Buenos Aires, 1969
Adriana Cantelli, Annina