This performance of Il Barbiere di Siviglia is something of a contradiction. On one hand, the ensemble is undeniably sloppy, displaying the rough edges and provincial qualities that can plague "regional" performances at their worst. On the other hand, there is a freshness and vitality here that give Barbiere the spark it needs, making for a lively and effervescent experience—warts and all.

The major draws are the leads. Renata Scotto, still in her early twenties, sings with a bright, youthful tone and an innate sense of Italian style. She also proves to be a charming comedienne, adding to the performance's infectious energy. Alfredo Kraus, in top form as Almaviva, demonstrates that the role can be sung with the same full-throated ardor he brought to Edgardo and Arturo. Aldo Protti lends Figaro both a luscious tone and an ease in the upper register that makes his performance particularly appealing.

, though this is an outdoor performance. The prompter can be a little loud at times, and, believe it or not, the occasional overhead jet makes an appearance. Yet, in its own way, these quirks only add to the comedy—whether intentional or not—of this magical evening.