Wagner

Siegfried

Windgassen, Mödl, Hotter, Kuen, Neidlinger, Greindl, Streich; Keilberth
Bayreuth, 1953

Regular price $34.95
Select Format
Add to Wishlist Added to Wishlist

Siegfried

Although Wolfgang Windgassen was nearly 40 when this performance took place, he delivers one of the most fresh-voiced Siegfrieds ever recorded, seemingly undaunted by the size of the orchestra or the brutal tessitura. From his entrance, effortlessly sailing up to high C (a note almost always omitted), his Siegfried is an explosion of boundless energy which doesn't cease until the final duet. Although Hans Hotter was immortalized on the legendary Solti Ring, he was a last minute replacement for George London and past his prime. This recording preserves him at his finest. Martha Mödl is in astonishing voice in her brief appearance as Brünnhilde.

Recently viewed

Example product title

Example product title

Example product title

Example product title

Example product title

Example product title

Customer Reviews

Share your experience with fellow collectors

5.0 Based on 1 review
5 ★ 1
4 ★ 0
3 ★ 0
2 ★ 0
1 ★ 0
David R.✓ Top Reviewer

United States

Overall rating

Superb Siegfried with a Terrific Cast!

There have been rumors for years that the First Act of this Siegfried is actually from Krauss' cycle broadcast a few weeks later. Since the singers are the same in both it's difficult to tell whether or not that is true. Hearing again it does seem to me that's it's the same performance (Windgassen makes the same mistakes and the audience noise is the same.) In any case this is a superb Siegfried. Yes, Windgassen makes a few musical errors (this was his first time out in the role), but otherwise he is magnificent, the voice steady, fresh, and beautiful. He also conveys Siegfried's narcissistic personality very convincingly. Kuen is a slimy Mime albeit one who doesn't stick to the notes as much as one might like. He and Neidlinger are a hoot in their scene together. Hotter is in confident, strong voice and Greindl is a frightening Fafner who happily yawns and roars with aplomb. Streich is a heavenly Woodbird, Ilosvay remains an impressive Erda. Modl continues to be in superb voice, nailing all the top notes (including a triumphant final C.) Again, she is in more confident vocal form here than she would be for Furtwangler in the RAI recording. Keilberth's conducting continues to be well-placed. I was never bored as I have been with other conductors in this music.The sound is extremely good broadcast mono. The disc break between 1 and 2 is unfortunate, but otherwise they make musical sense. All Wagner lovers should hear this performance.
Report