Wagner

Siegfried

Hopf, Varnay, Wiener, Kraus, Klaus, Höffgen, Holt; Kempe
Bayreuth, 1963

Regular price $34.95
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Siegfried

It is astonishing to think of the talent that was walking the streets of Bayreuth in the summer of 1963. Birgit Nilsson and Astrid Varnay were alternating Isoldes with Karl Böhm, Irene Dalis and Hans Knappertsbusch were participating in now legendary performances of Parsifal, Thomas Schippers was conducting Meistersinger with a 22-year-old Anja Silja as Eva and Rudolf Kempe was leading the Ring. This recording of Siegfried from that historic summer highlights not only the level of singing but also the overall musicianship at work. Rudolf Kempe creates a lightness to the score one rarely hears and the orchestra never lets the formidable technical demands of Wagner's writing get the better of them. In the title role, Hans Hopf delivers some impressive singing even if at times the pitch tends to sag. Astrid Varnay in her brief turn as Brünnhilde demonstrates that even though she was beginning to move into mezzo territory, she still had the goods for a great Brünnhilde, high Cs and all. Otto Wiener brings a baritonal elegance to the role of the Wanderer and Otakar Kraus is a wonderfully malevolent Alberich.

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4.5 Based on 2 reviews
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David R.✓ Top Reviewer

United States

Overall rating

Good Performance in Good Sound

It's unusual to begin a discussion of a Siegfried performance with Mime, but Erich Klaus is a very good Mime. He sings the role rather than screaming it and is more sympathetic than Wagner probably meant him to be. His top B towards the end of Act One is terrific as is his terrifying scream when stabbed by Siegfried in Act Two (that's one scream not actually required by the composer).Hopf is fine, if unremarkable. Wiener is annoying to listen to. His diction is great, his characterization apt, but that ornery, unsteady voice! Roth Ehrang is again a menacing, beautifully sung Fafner. Varnay is good although her voice is beginning to sound rather sour by this time. Maybe she just had an off-night; she sounds better three years later in Dusseldorf. The other singers are all sturdy Bayreuth regulars, easy to take for granted. Kempe leads with power and poetry in equal measure. The sound is good with only a few minor glitches.
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Marlyse T.✓ Verified Buyer

France

Overall rating

Marlyse Tieche

astrid varnay super performance
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