Wagner

Parsifal (Act II) & Siegfried (Final Scene)

Varnay, Feiersinger, Ernest; Quennet
Düsseldorf/Duisburg, 1961 & 1963

Regular price $5.95
Select Format
Add to Wishlist Added to Wishlist

Excerpts from Parsifal and Siegfried

I have compiled two sets of excerpts, both featuring conductor Arnold Quennet and Astrid Varnay.

The first is the complete Act II of Parsifal. Kundry was an ideal role for Varnay during her transition away from soprano repertoire. It allowed her to showcase her formidable acting abilities without the added demands of high-lying vocal passages. Despite the lower register, Wagner still provides Kundry with ample opportunities to highlight her upper register, and Varnay never disappoints.

In the final scene from Siegfried, she brings a Mozartian elegance to "Ewig war ich" while maintaining the vocal intensity expected of a great Brünnhilde.

Recently viewed

Example product title

Example product title

Example product title

Example product title

Example product title

Example product title

Customer Reviews

Share your experience with fellow collectors

5.0 Based on 2 reviews
5 ★ 2
4 ★ 0
3 ★ 0
2 ★ 0
1 ★ 0
Ramiro G.✓ Top Reviewer

Spain

Overall rating

Excerpts from Parsifal and Siegfried 1961-63

Muy bueno, Gran Kundry
Report
David R.✓ Top Reviewer

United States

Overall rating

Excellent Performances by Varnay and Company!

This disc was originally part of a three disc set that also contained most of Martha Mödl's last Götterdämmerung Brünnhilde (disc 1) and all of Birgit Nilsson's Götterdämmerung Brünnhilde under Heinz Wallberg from Buenos Aires 1962 (disc 3). For whatever reason that set has been discontinued so Andy wisely gives us the second disc on its own. Astrid Varnay is heard in the complete second act of Parsifal and the last twelve minutes or so of Siegfried (from "Ewig war ich" to the end).Both excerpts are from the later middle part of Varnay's career. She has no difficulty meeting any of the music's requirements and her long experience in this repertoire can be heard in every bar of music she sings. The top Bs and Cs are all there when she needs them though perhaps a bit tighter than a decade earlier. She provides a masterclass in interpretation in both roles. She also doesn't scoop up to pitches as was her wont earlier in her career (someone must've brought it to her attention). As Kundry, she also provides some believable screams in the first scene of Act 2 though (as with most Kundrys) not the scripted one at the end of the act. She nails the difficult donward leap on the word "lachte", jumping in a beat early on the high B. Her colleagues are very good; I wish the Flowermaidens were identified, but there we are. The sound is excellent in both excerpts. The last two bars of Parsifal Act 2 are missing from the original tape (not a big deal).All Varnay fans should have this disc.
Report