Die Meistersinger von Nürnberg

Richard Wagner (1813–1883)

DESCRIPTION

Dietrich Fischer-Dieskau ventured into Wagnerian territory with boldness, taking on a role that may have nudged the limits of his lyric baritone. Where many baritones risk forcing their instruments to meet the demands of dramatic repertoire, Fischer-Dieskau relies instead on intellect and insight. His portrayal navigates the character’s emotional and theatrical complexities with precision, even if it lacks the sheer vocal weight typically associated with the part. What emerges is a performance that emphasizes the opera’s tender spirit and human warmth, casting Wagner’s only comedy in a refreshing new light.

He is supported by Wolfgang Sawallisch, whose conducting draws inspiration from Fischer-Dieskau’s lyrical reading. The result is a soundscape that favors clarity and joy over grandeur, allowing the work’s humor and nuance to shine. The cast surrounding Fischer-Dieskau enhances this vision with youthful energy and vocal brightness. Julia Varady is radiant as Eva, her voice ideally matched with René Kollo’s impassioned von Stolzing. Peter Schreier lends David a relatable warmth, while Kurt Moll’s dignified Pogner anchors the ensemble with resonant authority. Together, they create a performance of exceptional lyricism and vitality.

CAST

Hans Sachs – Dietrich Fischer-Dieskau
Walther von Stolzing – René Kollo
Eva – Julia Varady
Veit Pogner – Kurt Moll
David – Peter Schreier
Sixtus Beckmesser – Hans Günter Nöcker
Fritz Kothner – Karl Helm
Magdalena – Cornelia Wulkopf
Nachtwächter – Nikolas Hillebrand
Kunz Vogelgesang – Friedrich Lenz
Konrad Nachtigall – Raimund Grumbach
Ulrich Eisslinger – Hermann Sapell
Balthasar Zorn – Georg Paskuda
Augustin Moser – David Thaw
Hermann Ortel – Heinz Imdahl
Hans Schwarz – Kieth Engen
Hans Foltz – Karl Christian Kohn

DETAILS

Location: München
Date: 1979
Conductor: Wolfgang Sawallisch
Catalogue Number: OD 12192-4
Label: Opera Depot
Number of Discs: 4
In Mono

NOTE

There are breaks in the recording, the most disruptive occurring during "Was duftet doch der Flieder." Additional issues include a rough transition into Scene 2 of Act III and a patch of compromised sound quality from the Preislied through the opera’s conclusion.