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Das Rheingold
Leif Roar brings a youthful yet commanding presence to Wotan, anchoring this performance of Das Rheingold with both vocal authority and dramatic clarity. Brigitte Fassbaender offers a striking Fricka, her luxurious tone matched by an imperious resolve. At his absolute peak, Peter Hofmann infuses Loge with a rare blend of vocal allure and charismatic presence, lending the character a true leading-man appeal. The Bavarian State Opera forces perform with precision and energy under the expert baton of Wolfgang Sawallisch.
Track List
1. Vorspiel
2. Weia! Waga! Woge, du Welle
3. Lugt, Schwestern! Die Weckerin lacht in den Grund.
4. Der Welt Erbe gewänne zu eigen
5. Wotan, Gemahl, erwache!
6. Vollendet das ewige Werk!
7. Hilf mir, Schwester! Schütze mich, Schwäher!
8. Sanft schloß Schlaf dein Aug'
9. Endlich Loge! Eiltest du so
10. Immer ist Undank Loges Lohn!
11. Ein Runenzauber zwingt das Gold zum Reif
12. Hör', Wotan, der Harrenden Wort!
13. Über Stock und Stein zu Tal stapfen sie hin
14. Auf, Loge, hinab mit mir!
15. Hehe! Hehe! Hieher! Hieher! Tückischer Zwerg!
16. Nibelheim hier
2. Weia! Waga! Woge, du Welle
3. Lugt, Schwestern! Die Weckerin lacht in den Grund.
4. Der Welt Erbe gewänne zu eigen
5. Wotan, Gemahl, erwache!
6. Vollendet das ewige Werk!
7. Hilf mir, Schwester! Schütze mich, Schwäher!
8. Sanft schloß Schlaf dein Aug'
9. Endlich Loge! Eiltest du so
10. Immer ist Undank Loges Lohn!
11. Ein Runenzauber zwingt das Gold zum Reif
12. Hör', Wotan, der Harrenden Wort!
13. Über Stock und Stein zu Tal stapfen sie hin
14. Auf, Loge, hinab mit mir!
15. Hehe! Hehe! Hieher! Hieher! Tückischer Zwerg!
16. Nibelheim hier
17. Wer hälfe mir?
18. Hieher! Dorthin! Hehe! Hoho!
19. Wen doch faßte nicht Wunder, erfährt er Alberichs Werk?
20. Ohe! Ohe! Schreckliche Schlange
21. Da, Vetter, sitze du fest!
22. O schändliche Schmach!
23. Bin ich nun frei?
24. Fasolt und Fafner nahen von fern
25. Gepflanzt sind die Pfähle nach Pfandes Maß
26. Weiche, Wotan! Weiche!
27. Zu mir, Freia! Du bist befreit
28. He da! He da! He do!
29. Abendlich strahlt der Sonne Auge
30. Rheingold! Rheingold! Reines Gold!
18. Hieher! Dorthin! Hehe! Hoho!
19. Wen doch faßte nicht Wunder, erfährt er Alberichs Werk?
20. Ohe! Ohe! Schreckliche Schlange
21. Da, Vetter, sitze du fest!
22. O schändliche Schmach!
23. Bin ich nun frei?
24. Fasolt und Fafner nahen von fern
25. Gepflanzt sind die Pfähle nach Pfandes Maß
26. Weiche, Wotan! Weiche!
27. Zu mir, Freia! Du bist befreit
28. He da! He da! He do!
29. Abendlich strahlt der Sonne Auge
30. Rheingold! Rheingold! Reines Gold!
Customer Reviews
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4.0
Based on 2 reviews
✓ Verified Buyer
Germany
Hofmann as Loge
This was the first Rheingold of 1977 which would be part of a complete cycle.In fact Sawallisch conducted 4 Ring Cycles during 1977 but none better than this one. A great cast of singers and the rare chance to hear a real heldentenor singing Loge. Hofmann did not sing this too often, probably he became too expensive for casting once he reached his zenith. So this is something to savour. His scenes with Wotan and Alberich are superbly drawn.Leif Roar and Zoltan Keleman sang opposite each other often and were tremendous together in this performance. Fassbaender is great as Fricka.Sawallisch was one of the finest Ring conductors of all and here he is at his best. the only reason this does not get 5 stars is because the sound is less than the best, however it is very listenable.
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✓ Top Reviewer
United States
Good Beginning to the Munich Ring
Sawallisch compels us onward through this very well sung Rheingold. The supporting characters are staffed with excellent Munich regulars (we are not told who sings Donner, but he's equally good).Leif Roar is a fine W otan, singing with steady, burnished tone. Brigitte Fassbaender is quite a presence as Fricka, Ortrun Wenkel repeats her fine Erda, and Keleman and Unger are terrific as the Nibelung brothers. Peter Hofmann shows he really could sing before his voice began to fall apart just a couple of years later. We also get a first-class trio of Rhinemaidens. Everyone declaims the text vividly.The sound is good though when characters move upstage they can sound a bit recessed. This sounds like it derives from house tapes. I'm grateful to have this performance nonetheless.
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