Verdi

Un Ballo in maschera

Vickers, Shuard, Glossop, Popp, Verrett; Kertesz
London, 1966

Regular price $17.95
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Un Ballo in maschera

This Un ballo in maschera features an entirely English-speaking cast, yet it captures the essence of this opera as well as any performance I’ve heard.

Jon Vickers might seem an unconventional choice for the role of Riccardo, but he demonstrates his versatility, handling middle-period Verdi with the same skill and commitment he brought to roles like Radamès and Otello. Pairing him with Amy Shuard was a brilliant decision. Shuard, equally at home in Italian and German repertoire, combines the elegance and control of a great Verdi soprano with the power that made her a thrilling Isolde and Brünnhilde.

Peter Glossop offers a superb Anckarström, delivering a performance rich in nuance and intensity. Shirley Verrett’s immense talent feels almost underutilized as Ulrica, but when the role allows her to shine, she makes every moment count. Lucia Popp is delightful as Oscar, bringing charm and sparkle to the character.

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4.2 Based on 5 reviews
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Laura A.✓ Verified Buyer

United States

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David R.✓ Top Reviewer

United States

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Great Performance, Mediocre Sound

The performance here is a fine one. It's good to hear Vickers in a Verdi role other than Otello. His Riccardo is noble, passionate, and well-sung. He doesn't sing the top C with Shuard at the end of their duet, but he is one of the few tenors who sings the optional lower line in his Act 1, scene 2 canzone. Shuard is an excellent Amelia who sings the oft-omitted cadenza at the end of "Morro". Glossop sings a truly distinguished Renato and Verrett is a major figure as Ulrica (I think this was the only time she did the role on stage). Popp is an adorable Oscar, rather unappreciated by the audience (she gets no applause at the end of "Saper vorreste"). Kertesz leads a lively performance with the occasional odd texual choice (Vickers doesn't sing several lines after he is shot - did he forget them?) The voices are recessed though still audible. The tape source is uneven, the tapist having to contend with a sometimes unruly audience (a woman can be heard briefly sobbing during "Eri Tu" - I kid you not!). But Ballo lovers should hear this. Overall it's not quite as good as an earlier Ballo from Covent Garden (Vickers, Shuard, Bastianini, Resnik) that was released officially by the Royal Opera, but if you can't find that one this one has some special moments too.
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Robert D.✓ Verified Buyer

United Kingdom

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Robert Dean

There was obviously a good performance going on here but it is difficult to stay with it because of the distant and muffled sound.
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János K.✓ Top Reviewer

Hungary

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JÁNOS KÁDÁR

an excellent all-star performance with moderate sound
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Joseph B.✓ Verified Buyer

United Kingdom

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Joseph Brand

Despite the poor sound this is a very fine performance. Shuard and Vickers had been singing these roles together since 1957 (originally in English) but these were to be the last. As fine a supporting cast as can be imagined and a rare souvenir of Kertesz in the opera house.
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