This is a terrific performance of Verdi's last opera, sung by an entirely English cast (except for Regina Resnik as Mistress Quickly). Peter Glossop has a high old time as Falstaff, singing with great distinction and a tremendous sense of humor. Though little known on this side of the pond, Delme Bryn-Jones is his match as Ford, singing his monologue with fire and sure tone. The women are all first-rate, led by Elizabeth Vaughan's charming, clever, and brilliantly sung Alice Ford. She has the trills needed and also a great top C to cap her brief "Gaie compare" aria in the second act as well as the last note of the fugue. Elizabeth Robson spins out Nanetta's ethereal music with lovely tone and Ryland Davies is a manly Fenton who partners her very well in their duets.Regina Resnik's distinctive voice can be heard clearly in every ensemble. She's obviously having a good time as is everyone else. Richard Van Allen also stands out as Pistola. Ceccato conducts a fleet, well-rehearsed performance that all Falstaff lovers will enjoy.The sound is excellent.

Better performance than I remembered.Glossop certainly was in good voice,Resnik goes over the top at times and if truth be known I always preferred Liz Bainbridge as Quickly. Robson is a wonderful Nanetta. Worth hearing again and will be played often.Pity about the conductor.