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Semiramide
This recording could star no one but Joan Sutherland. Caught at the height of her powers, she sings this performance of one of her greatest roles with unyielding power, impeccable fluidity and flawless accuracy. Beside her is Giulietta Simionato in a role that, although perhaps not an ideal fit, finds her in top form. Their duet in act two is a match of truly great voices. Next to them, Wladimiro Ganzarolli sounds a bit threadbare, but he delivers his mad scene with fiery intensity. Gianni Raimondi, with his arias cut, has little to do, but what is there is quite notable. This run of Semiramide played an instrumental role in returning the opera to the active repertoire, as the forces at La Scala were forced to re-assemble the opera from Rossini's manuscripts. Gabriele Santini leads the evening, and if his tempi err on the side of too slow, he does not let the momentum lag either. The sound is generally solid, and although the performance has a few cuts more than the purist in me would like, it is easy to forget when the glorious leading ladies are singing.
Track List
Act I
2. Belo si celebri, Belo s'onori
3. Là dal Gange a te primiero
4. Regina, all'ara: e giura
5. Eccomi alfine in Babilonia
6. Ah! quel giorno ognor rammento
7. Io t'attendeva, Arsace
8. Bella imago degli dèi
9. Serena i vaghi rai
10. Bel raggio lusinghier
11. Né viene ancor!
12. Serbami ognor sì fido
Act II
14. Qual mesto gemito
15. Ah! sconvolta nell'ordine eterno
16. Alla reggia d'intorno
17. Se la vita ancor t'è cara
18. Ma implacabile di Nino
19. Ebben, compiasi omai
20. Su, le scuola: rammenta chi sei.
21. No, non ti lascio
22. Ebbene... a te; ferisci.
23. Madre, addio!
24. Il dì già cade
25. Oroe dal tempio escì
26. Deh!...ti ferma...ti placa...
27. E che avvenne!
28. Que' numi furenti, quell'ombre frementi
29. Un traditor, con empio ardir
30. Al mio pregar t'arrendi
31. Vieni, Arsace, al trionfo, alla reggia