Sarah Caldwell was a mythic figure in the Boston operatic scene, achieving both notoriety for her vision and eccentric manner, which earned her both admirers and critics. In this performance, it is clear that she possessed a distinctive voice in the operatic world. Even when I found myself at odds with her interpretation of Rossini's style, I appreciated her challenge to rethink a piece I have come to know very well. The most remarkable aspect of this recording is its complete uncut nature. Caldwell even has Beverly Sills interpolate "Ah vous dirai-je, Maman" and Rosina's rarely performed Act II aria, "L'innocenza di Lindoro." However, despite these unusual choices, the performance maintains its momentum throughout, as demonstrated by the enthusiastic reactions of the audience.

The success of the performance owes much to the spectacular cast, led by Beverly Sills, whose boundless energy and infectious sense of fun permeate the evening. Alan Titus presents a youthful and virile portrayal of Figaro, while Bruce Brewer sings the Count with effortless bravado, though his vocal tone is not to my personal taste.