Recital

Vishnevskaya, Pears & Glossop

Featuring arias and duets from Figaro, Cosi, Aida & Onegin, Britten, piano
Aldeburgh, 1963

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Recording Information

PROGRAM

Vishnevskaya, Pears & Glossop

Introduction
Location: Aldeburgh
Date: 27 June 1963
Catalogue Number: 10218-1

Wolfgang Amadeus Mozart – Don Giovanni – Il mio Tesoro: Peter Pears
Location: Aldeburgh
Date: 27 June 1963
Catalogue Number: 10218-1

Wolfgang Amadeus Mozart – Don Giovanni – Dalla sua pace: Peter Pears
Location: Aldeburgh
Date: 27 June 1963
Catalogue Number: 10218-1

Wolfgang Amadeus Mozart – Così fan tutte – Donne mie, la fate a tanti: Peter Glossop
Location: Aldeburgh
Date: 27 June 1963
Catalogue Number: 10218-1
In English

Wolfgang Amadeus Mozart – Così fan tutte – Secondate aurette: Peter Glossop
Location: Aldeburgh
Date: 27 June 1963
Catalogue Number: 10218-1
In English

Wolfgang Amadeus Mozart – Le nozze di Figaro – Non so più: Galina Vishnevskaya
Location: Aldeburgh
Date: 27 June 1963
Catalogue Number: 10218-1
in Russian

PROGRAM

Wolfgang Amadeus Mozart – Le nozze di Figaro – Voi che sapete: Galina Vishnevskaya
Location: Aldeburgh
Date: 27 June 1963
Catalogue Number: 10218-1
in Russian

Giuseppe Verdi – Aida – Ciel, mio padre: Galina Vishnevskaya; Peter Glossop
Location: Aldeburgh
Date: 27 June 1963
Catalogue Number: 10218-1

Pyotr Ilyich Tchaikovsky – Eugene Onegin – Letter Scene: Galina Vishnevskaya
Location: Aldeburgh
Date: 27 June 1963
Catalogue Number: 10218-1

Pyotr Ilyich Tchaikovsky – Eugene Onegin – Onegin's aria: Peter Glossop
Location: Aldeburgh
Date: 27 June 1963
Catalogue Number: 10218-1

Pyotr Ilyich Tchaikovsky – Eugene Onegin – Lenski's aria: Peter Pears
Location: Aldeburgh
Date: 27 June 1963
Catalogue Number: 10218-1

Pyotr Ilyich Tchaikovsky – Eugene Onegin – Final Scene: Galina Vishnevskaya; Peter Glossop
Location: Aldeburgh
Date: 27 June 1963
Catalogue Number: 10218-1

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Robert D.✓ Verified Buyer

United Kingdom

Overall rating

Robert Dean

A wonderful document - like an intimate concert in a village hall, the difference perhaps being some stunning singing from the three singers and Britten going hell for leather (not always accurately but suitably impassioned) on the piano.
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