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Tosca
Liane Synek brings her oversized soprano and fervent temperament to the role of Tosca. Her upper register possesses a wild, almost untamed quality, reminiscent of Leonie Rysanek, and, like Rysanek, she tempers it effectively, as heard in a sublimely delicate “Vissi d’arte.” The remainder of the cast sings admirably, though without particular distinction.
Track List
Act I
1. Ah! Finalmente! Nel terror mio stolto
2. Dammi i colori... Recondita armonia
3. Gente là dentro!
4. Mario! Mario! Mario!... Son qui
5. Quale occhio al mondo può star di paro
6. È buona la mia Tosca
7. Un tal baccano in chiesa!
8. Tosca divina, la mano mia
9. Tre sbirri, una carrozza... Va, Tosca!
2. Dammi i colori... Recondita armonia
3. Gente là dentro!
4. Mario! Mario! Mario!... Son qui
5. Quale occhio al mondo può star di paro
6. È buona la mia Tosca
7. Un tal baccano in chiesa!
8. Tosca divina, la mano mia
9. Tre sbirri, una carrozza... Va, Tosca!
Act II
10. Tosca è un buon falco!
11. Egli è là.
12. Ed or fra noi parliam da buoni amici.
13. Orsù, Tosca, parlate.
14. Floria?... Amore!... Sei tu?
11. Egli è là.
12. Ed or fra noi parliam da buoni amici.
13. Orsù, Tosca, parlate.
14. Floria?... Amore!... Sei tu?
15. Già, mi dicon venal
16. Vissi d'arte
17. Vedi, le man giunte io stendo a te!
18. Tosca, finalmente mia!
16. Vissi d'arte
17. Vedi, le man giunte io stendo a te!
18. Tosca, finalmente mia!
Act III
19. Io de' sospiri
20. Mario Cavaradossi?... A voi
21. E lucevan le stelle
22. Ah! Franchigia a Floria Tosca...
23. Senti, l'ora è vicina
24. Com'è lunga l'attesa!
25. Presto! Su, Mario! Mario!
20. Mario Cavaradossi?... A voi
21. E lucevan le stelle
22. Ah! Franchigia a Floria Tosca...
23. Senti, l'ora è vicina
24. Com'è lunga l'attesa!
25. Presto! Su, Mario! Mario!
NOTE
We were unable to find the German translation used in this performance and have opted to include the Italian text instead.
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4.0
Based on 1 review
✓ Top Reviewer
United States
Synek Fans Will Love This!
I'm glad Opera Depot has issued another Liane Synek performance in something other than German opera (although this performance is sung in German). She lives up to her reputation with secure, grand singing highlighted by incredible high notes. Her "Nur der Schönheit" is sung extremely well and she handles the big drama moments with conviction. If she's not a Tosca for the ages in the way that Callas and Tebaldi are, she's still quite satisfying. Her colleagues are excellent. Robert Moulson is probably best known for his portrayal of Lennie in Carlisle Floyd's opera "Of Mice and Men". He doesn't erase any memories of other fine tenors in this role, but you won't be disappointed. Heiner Horn sang for decades in Germany and Austria and gives a compelling performance. It's interesting that the listed cast is made up of only three native speaking Germans while the other half look like Americans or Brits. Leopold Hager holds everything together, but only just as there are some ragged entrances and dropped lines (I suspect there wasn't a lot of rehearsal time available).The sound is listenable and on pitch. This was probably recorded from out in the house or backstage. The voices are certainly audible,; some of the subtleties of interpretation get lost in the sonic haze.For fans of the singers, especially of Synek.
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