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Manon Lescaut
I can confidently say that this is as definitive a performance of Manon Lescaut as one could ever hope to hear. Montserrat Caballé and Richard Tucker are both at the absolute peak of their powers. Caballé's ability to float Puccini's melodies is so exquisite that one could imagine Puccini himself writing operas specifically for her. Similarly, Tucker delivers an emotionally shattering performance, plunging to the very depths of despair in his Act III aria.
Track List
Act I
1. Ave, sera gentil
2. Tra voi, belle, brune e bionde
3. Ma bravo! Ma bravo!
4. Cortese damigella, il priego mio accettate
5. Donna non vidi mai
6. La tua ventura ci rassicura
7. Vecchietto amabile, incipriato Pluton sei tu!
8. Vedete? Io son fedele alla parola mia
9. Non c'è più vino? E che?
10. Di sedur la sorellina è il momento!
2. Tra voi, belle, brune e bionde
3. Ma bravo! Ma bravo!
4. Cortese damigella, il priego mio accettate
5. Donna non vidi mai
6. La tua ventura ci rassicura
7. Vecchietto amabile, incipriato Pluton sei tu!
8. Vedete? Io son fedele alla parola mia
9. Non c'è più vino? E che?
10. Di sedur la sorellina è il momento!
Act II
11. Dispettosetto questo riccio!
12. Sei splendida e lucente!
13. In quelle trine morbide…
14. Poiché tu vuoi saper… Des Grieux
15. Davver che a meraviglia questa veste
16. Vi prego, signorina…
17. L'ora, o Tirsi, è vaga e bella…
18. Tu, tu, amore? Tu?
19. Affé, madamigella!
20. Lescaut! Tu qui!
12. Sei splendida e lucente!
13. In quelle trine morbide…
14. Poiché tu vuoi saper… Des Grieux
15. Davver che a meraviglia questa veste
16. Vi prego, signorina…
17. L'ora, o Tirsi, è vaga e bella…
18. Tu, tu, amore? Tu?
19. Affé, madamigella!
20. Lescaut! Tu qui!
Act III
21. Intermezzo
22. Ansia eterna, crudel…
23. Manon!.. Des Grieux!
24. All'armi! All'armi!
25. Rosetta! Eh! Che aria!
26. Ah! non v'avvicinate!
22. Ansia eterna, crudel…
23. Manon!.. Des Grieux!
24. All'armi! All'armi!
25. Rosetta! Eh! Che aria!
26. Ah! non v'avvicinate!
Act IV
27. Tutta su me ti posa
28. Vedi, vedi, son io che piango…
29. Sola… perduta, abbandonata…
30. Fra le tue braccia, amore!
28. Vedi, vedi, son io che piango…
29. Sola… perduta, abbandonata…
30. Fra le tue braccia, amore!
Customer Reviews
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5.0
Based on 5 reviews
✓ Top Reviewer
United States
Great Manon
This is a great Manon. Tucker is strong and Caballe is Caballe. The sound is very fine. I enjoyed this live performance from B. A.
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✓ Top Reviewer
United States
Fine Performance in Fine Sound!
Sometimes the Pirate Gods are with us and the sound of a recording is as good as the performance. That's the case here. The sound is very clear and on pitch; everything can be clearly heard. The performance is as wonderful as Andy describes it above. Caballe not only sings like an angel with beautiful tone and ringing high notes, but is as dramatically involved as one could wish. I have no criticism of her. Tucker's voice was beginning to sound a little muscular by 1966, but he's still a fine singer who knows his role inside and out. He was sparing with his top C's; here he joins Caballe on a great C in the last act.Mastromei is a terrific Lescaut. Whatever happened to him? The rest of the cast is also excellent, especially Carmen Burello as the Musician and Nino Falzetti as the Dancing Master. Bartoletti conducts a thrilling, well-paced performance.If you're a Puccini fan or love these singers, you must get this.
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✓ Verified Buyer
United States
Brilliant
A polished, scintillating performance, with Caballé’s brilliance matched by Tucker’s dramatic verve. As compelling a rendition of this work as I can imagine. Very good sound. One product defect: all tracks are mislabeled “Shuard Taddei,” apparently referring to the 1964 Teatro Colon “Macbeth” also in the Opera Depot catalog.
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✓ Verified Buyer
United States
✓ Top Reviewer
United States