Stella is superb here and ably partnered by Colzani - as Andy says, the card game is really exciting. I have always underestimated Stella, falling for the idea that she was rather second-rate next to performers like Callas, Tebaldi, and Gencer. She brings a strong sense of character to the role and it is also beautifully sung with a stunning top to the voice. Limarelli is less impressive, but still perfectly acceptable. The sound of the orchestra is a little recessed, with the voices clear and forward. De Fabritiis whips things along with great energy.

Antonietta Stella was a lot better than some people believe. She was overshadowed by Callas and Tebaldi, but was a worthy artist in her own right. Her Minnie puts up a tough exterior, yet her vulnerability shines through. She was in great voice too, soaring up to excellent B's and C's and making it all sound effortless. She gets a little carried away with the crying (you should hear her in the 1958 Met Butterfly broadcast where she never stops crying even after she's supposed to be dead!), but I'll take that over the faceless accuracy of today's singers in this repertoire. Colzani is an intense Rance. He "speaks" the role convincingly. Limarelli was considered a second or third stringer at the time this was recorded, but he'd be a much bigger deal today where tenors who sing this repertory well are much scarcer. The supporting cast is very idiomatic and they all have strong voices. De Fabritiis leads a fiery, convincing performance. The prompter is in great voice too!The sound is very good. The Pirate Gods smiled benevolently on this recording!

Overall, really appreciate the opportunity to hear a wonderful trio of lead singers turn in an excellent performance of this opera. Stella is the standout, particularly once she's really warmed up with Colzani often matching her. Limarelli is perhaps not quite at their level, but how great it would be to have someone of his mettle around today. Also, decent sonics for a live performance of this vintage.

This is a wonderful performance of Fanchiulla del West. Limarelli may not be the greatest of tenors but he has his moments and always is committed. The lower voice doesn't have much quality but the upper voice convinces more than not. Colzani is wonderful as Rance. He has a very strong characterization and his voice is up to all the demands of the music. He is utterly believable and gives the other cast members a lot to react to. I always find Stella "Live" much more exciting and spontaneous than Stella "Studio". She is excellent here. The voice does all she wants (including many great high notes) and offers a completely believable dramatic performance. One of my favorite Fanciulla's so far. De Fabritiis knows the style and how to make the score flow. Highly recommended.