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La Bohème
For a singer who defied classification throughout her long career, Teresa Stratas makes a compelling case, as Mimì, that she was a Puccinian through and through. Her phrasing is organically sensitive, and she knows precisely when to unleash the full warmth of her sumptuous soprano. Carlo Cossutta offers a wonderful mix of elegance and power as Rodolfo, while Maralin Niska, in the role of Musetta, steals a few scenes in Act II before delivering some truly touching moments in Act IV.
Track List
Act I
1. Questo Mar Rosso mi ammollisce e assidera
2. Già dell'Apocalisse appariscono i segni
3. Legna!... Sigari!... Bordò!
4. Si può?... Chi è là?... Benoit!
5. Chi è là?... Scusi
6. Che gelida manina
7. Sì. Mi chiamano Mimì
8. Ehi! Rodolfo!
9. O soave fanciulla
2. Già dell'Apocalisse appariscono i segni
3. Legna!... Sigari!... Bordò!
4. Si può?... Chi è là?... Benoit!
5. Chi è là?... Scusi
6. Che gelida manina
7. Sì. Mi chiamano Mimì
8. Ehi! Rodolfo!
9. O soave fanciulla
Act II
10. Aranci, dattleri! Caldi i marroni
11. Due posti!... Finalmente!
12. Signorina Mimì, che dono raro
13. Ch'io beva del tossico
14. Quando men vo
15. Caro!... Fuori il danaro!
11. Due posti!... Finalmente!
12. Signorina Mimì, che dono raro
13. Ch'io beva del tossico
14. Quando men vo
15. Caro!... Fuori il danaro!
Act III
16. Ohè, là, le guardie...Aprite!
17. Sa dirmi, scusi
18. Mimì?!... Speravo di trovarvi qui.
19. Marcello. Finalmente. Qui niun ci sente
20. Donde lieta uscì
21. Dunque è proprio finita?
22. Sempre tua... per la vita
17. Sa dirmi, scusi
18. Mimì?!... Speravo di trovarvi qui.
19. Marcello. Finalmente. Qui niun ci sente
20. Donde lieta uscì
21. Dunque è proprio finita?
22. Sempre tua... per la vita
Act IV
23. In un coupé?
24. O Mimì, tu più non torni
25. Che ora sia?
26. Musetta!... C'è Mimì
27. Vecchia zimarra
28. Sono andato? Fingevo di dormire
29. Che avvien?
30. Che ha detto il medico?
24. O Mimì, tu più non torni
25. Che ora sia?
26. Musetta!... C'è Mimì
27. Vecchia zimarra
28. Sono andato? Fingevo di dormire
29. Che avvien?
30. Che ha detto il medico?
Customer Reviews
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4.0
Based on 1 review
✓ Top Reviewer
United States
Excellent Performance in Good Sound!
Most of us are familiar with Stratas' Mimi from the DVD of Zeffirelli's famous 1981 Met production. She was a miracle of strength and fragility and her voice, if a little ragged around the edges by that time, was still fully able to bring to life Puccini's simple, loving heroine. In this performance given 13 years earlier her timbre is darker and stronger, her characterization loving and passionate if without the subtext of impending mortality that made her later performances of the role so memorable. Cossutta sings very well as Rodolfo, perhaps not as poetic as some other portrayals, but always well within the character. He has a top, but it's not his glory (he transposes the big aria, but sings the written lower ending of "O soave fanciulla"). Fredericks and Niska are excellent as the other couple. Niska sings the written, but rarely performed, diminuendo on the top B at the end of her walz song. The other singers are all very characterful and sing with distinction. Herbert leads an enjoyable, even memorable performance with skill and precision, managing to keep his forces together when there probably wasn't a lot of rehearsal time.The sound is mostly good, the voices slightly recessed, but audible. There are a number of pops, splats, squeaks, and crackles from the original tape source, but except for a short portion in Act Four, these aren't too disturbing. Boheme lovers or fans of the singers should get this.
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