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La Bohème
Gilda Cruz-Romo brings a steely yet polished soprano to the role of Mimì, an unexpectedly effective match for the character's emotional arc. Plácido Domingo offers a robust and expressive Rodolfo, the kind of full-bodied tenor delivery that has become increasingly rare.
The chorus, however, lacks cohesion and polish, which slightly detracts from the overall impact of the performance.
Track List
Act I
1. Questo Mar Rosso mi ammollisce e assidera
2. Già dell'Apocalisse appariscono i segni
3. Legna!... Sigari!
4. Si può?... Chi è là?... Benoit
5. Chi è là?
6. Che gelida manina!
7. Sì. Mi chiamano Mimì
8. O soave fanciulla
2. Già dell'Apocalisse appariscono i segni
3. Legna!... Sigari!
4. Si può?... Chi è là?... Benoit
5. Chi è là?
6. Che gelida manina!
7. Sì. Mi chiamano Mimì
8. O soave fanciulla
Act II
9. Aranci, datteri! Caldi i marroni!
10. Salami!
11. Ch'io beva del tossico!
12. Quando men vo
10. Salami!
11. Ch'io beva del tossico!
12. Quando men vo
Act III
13. Ohè, là, le guardie... Aprite!
14. Mimì!... Speravo di trovarvi qui.
15. Marcello. Finalmente. Qui niun ci sente
16. Ebbene, no. Non lo son
17. D'onde lieta uscii
18. Dunque è proprio finita
19. Sempre tua per la vita...
14. Mimì!... Speravo di trovarvi qui.
15. Marcello. Finalmente. Qui niun ci sente
16. Ebbene, no. Non lo son
17. D'onde lieta uscii
18. Dunque è proprio finita
19. Sempre tua per la vita...
Act IV
20. In un coupé?
21. O Mimì tu più non torni
22. Che ora sia?
23. Musetta!... C'è Mimì...
24. Vecchia zimarra, senti
25. Sono andato. Fingevo di dormire
26. Che ha detto il medico?
21. O Mimì tu più non torni
22. Che ora sia?
23. Musetta!... C'è Mimì...
24. Vecchia zimarra, senti
25. Sono andato. Fingevo di dormire
26. Che ha detto il medico?
Customer Reviews
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4.0
Based on 2 reviews
✓ Verified Buyer
United States
Solid performance
This is a solid performance of "La Boheme," all the singers know their way around the their roles and the conducting and playing are fine. Sound is a tad bit remote but generally clear. I never fancied Domingo much as Rodolfo (he never had the kind of sweetness and lift the role needs), but he is in fine, youthful voice. Cruz-Romo is also in good voice and has some lovely moments, but overall one senses a lack of deep identification with Mimi's character.
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✓ Top Reviewer
United States
Excellent Performance, Good Sound!
This is a lovely Boheme, probably from Ft. Worth, Texas if my research is accurate. Domingo is an ardent Rodolfo who transposes his big aria down a half-step, but sings the written ending to the ensuing duet, allowing Cruz-Romo to get off a beautiful top C by herself. Cruz-Romo is an equally passionate Mimi who brings true distinction to her entire role. Carole Bayard is a terrific Musetta who not only sings her Waltz well, but lets out a hilarious scream in the scene with Alcindoro. She also knows how to deliver a bitchy laugh in Act Three. John Darrenkamp is a fine Marcello and the other singers (unidentified) are also first-rate. Rudolf Kruger manages to keep his forces together, not an easy task in what was probably a one-off performance. The sound is very good, the voices though slightly recessed heard clearly over the orchestra. Fans of the singers and the opera will want this Boheme!
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