Mussorgsky

Boris Godunov

Christoff, Lanigan, Resnik, Rouleau, Evans, Coates, Veasey; Kubelik
London, 1958

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Boris Godunov

Few singers have been as closely associated with a role as Boris Christoff was with Boris Godunov, and listening to this performance, it's easy to understand why. His portrayal goes far beyond the imposing figure with a pointy beard—his Boris is a deeply complex character, shifting seamlessly from paranoia to remorse, and in the final scene, to unexpected tenderness. It is a masterful interpretation that fully justifies his legendary status in the role.

The rest of the cast is equally impressive. Regina Resnik delivers a Marina who is both cold-blooded and passionate, bringing striking intensity to the role. Sir Geraint Evans is another standout as Shchelkalov, lending his part a commanding presence. Even the smaller roles are impeccably cast, featuring fine performances from Joan Carlyle, Josephine Veasey, and Edith Coates.

Under the baton of Rafael Kubelík, the performance is shaped with both grandeur and emotional depth, making for a truly compelling Boris Godunov.

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4.1 Based on 7 reviews
5 ★ 4
4 ★ 1
3 ★ 1
2 ★ 1
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Nils-göran O.✓ Verified Buyer

Sweden

Overall rating

Interesting but not gripping

For 1958, it is not at all self-evident that the edition used is rather full and not R-K. The many ROH singers taking part acquit themselves well and don't seem troubled to sing in Russian. Kubelik's interpretation is slow-burning and I might have been more attentive if the recording had been more than fair.
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David M.✓ Top Reviewer

United States

Overall rating

Resnik steals it

Drab recorded sound reflects the overall quality of the performance. Those who think of "Boris" as something long and dreary will find their prejudices validated. Rafael Kubelik takes a soft-edged, slowish approach to the score, which has a dampening effect on the cast (strength even in the smallest roles). Only in the Polish act does the performance come to life, thanks mainly to Regina Resnik's take-charge Marina. She and Otakar Kraus -- a cunning manipulator -- briefly electrify the proceedings. Even Boris Christoff sounds subdued. Geraint Evans (Shchelkalov), Edith Coates (Hostess of the Inn) and Duncan Robertson (a plangent Simpleton) all provide sparks but Joseph Rouleau is a dull Pimen and Josep Gostic an unremarkable Grigori. This wasn't one of Covent Garden's better nights.
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Jeffrey✓ Top Reviewer

United States

Overall rating

"THE" BORIS TO HAVE!

This is such an epic artistic achievement, that it will demand repeated listening. Kubelik creates a vast seamless embroidery of musical and dramatic detail. Christoff, Resnik, Kraus, Rouleau cannot be rivaled. The cast, a Who’s Who of Covent Garden principals, is an embarrassment of riches! The Chorus is excellent. Sound on the whole is very good (becomes veiled briefly). For educational study and research purposes only, here is a link to the version of the score used for this performance.http://imslp.org/wiki/Boris_Godunov_(Mussorgsky,_Modest)
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Paul F.✓ Verified Buyer

United States

Overall rating

Paul Fornatar

Superb performanceGreat Christoff
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James M.✓ Top Reviewer

United Kingdom

Overall rating

James Mertins

Great performance,it shows how the ROH raised it's profile.
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Philippe G.✓ Verified Buyer

France

Overall rating

PHILIPPE GUILLON

Resnik dans le rôle de Marina est fantastique. Quelle immense chanteuse! Et sa voix très dramatique correspond parfaitement à ce rôle. Ecoutez la aussi dans sa "Walkyrie-Kempe-1961" (immense!) elle est certainement une des plus grandes Fricka ! (Je la place même devant Rita Gorr que j'adore pourtant)
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Joseph B.✓ Verified Buyer
Overall rating

Joseph Brand

This is amazing. Despite its age the singers seem to leap out of the speakers into your room and though there are stage noises one is aware this is a living real performance of stature. For lovers of this masterpiece these cds are essential. It was probably the 1st ever performance of the complete Boris without any input from Rimsky. But more than that it seems to contain every note Mussorgsky wrote for the different versions even if that means hearing some of the music twice. I actually saw one of these 1958 performances and I can tell you it was shattering. The whole cast is superb and Christoff beyond praise. The overall sound is remarkable.
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