Mozart

Don Giovanni

Wächter, Sutherland, Schwarzkopf, Taddei, Sciutti, Alva, Cappuccilli, Frick; Davis
London, 1959

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Don Giovanni

This performance of Don Giovanni was meant to be a dry-run for the now legendary recording of Don Giovanni conducted by Carlo Maria Giulini with one notable exception. Giulini got sick. Fortunately Colin Davis, another talented Mozartian, was waiting in the wings. The approaches of the two conductors couldn't be more different. Whereas Giulini favored a more romantic approach, Davis delivers a lighter, nimbler reading. The singers are all the same and they are phenomenal. Eberhard Wächter as the Don might not appeal to those who prefer a bass-baritone in the role, but he may just change your mind when you hear the thrilling high A he unleashes during the final scene. I can think of few baritones who had the ability to alternate seamlessly between buffo characters and leading men as well as Giuseppe Taddei and Leporello gives him ample opportunities to do just that. The rest of the cast includes Elisabeth Schwarzkopf as Elvira, Joan Sutherland as Anna, Luigi Alva as Ottavio, Graziella Sciutti as Zerlina, Gottlob Frick as the Commendatore and even a young Piero Cappuccilli as Masetto. The bad news is that the sound is somewhat muffled.

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David R.✓ Top Reviewer

United States

Overall rating

Great Cast in Mediocre Sound

The cast here is identical to the classic studio recording under Giulini. The Italian maestro was indisposed so Davis took over. He probably would have preferred more appoggiaturas, but those were just coming back into style and there was little, if any, rehearsal time anyway.Wachter is a brute of a Don, but that interpretation works for him. He gives us a ringing top A in the supper scene, a note denied to him by Giulini (or Legge) in the studio performance. Taddei is superb as Leporello as is Alva as Ottavio. Sciutti's scratchy voice has never appealed to me, but she sings Zerlina with great charm, covering a false entry in "Batti, batti" with extreme professionalism. Schwarzkopf also slips a few times, but hey: she's human. Otherwise her Elvira is a model of patrician nobility. Sutherland comes very close to giving a flawless performance. Her diction is clearer here than it would become though this aspect of her singing never bothered me as much as it does others. Frick is a terrifying Commendatore, Cappuccilli a solid Masetto.This sounds like it was recorded from a broadcast albeit several generations removed from the original. There is a ridiculous disc break between discs one and two (right before Elvira's "Ah, fuggi il traditor"). I would steer those who want this cast towards the newly remastered Warner set, but if you're a collector this is certainly an interesting alternative.
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