Mozart

Die Entführung aus dem Serail

Rothenberger, Krenn, Blegen, Stolze; Solti
Berlin, 1967

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Die Entführung aus dem Serail

Georg Solti is clearly enjoying himself in this lively recording of Mozart's first great comedy. He whips the forces of the Berlin Radio Orchestra into something I can only describe as a "highly controlled frenzy" during the overture, then settles back into an easy, relaxed and very bright mode for the rest of the opera. His cast matches the approach, with Anneliese Rothenberger providing a sparkling Konstanze, Judith Blegen a pert, accurate Blöndchen and Werner Krenn a smooth Belmonte. Best of all is Oskar Czerwenka's booming Osmin. The dialogue is heavily cut (and delivered, as was traditional, by a separate cast of actors rather than the singers themselves), and a few arias also get the chop, but you can't ask for more clarity in this performance.

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N P.✓ Verified Buyer

Australia

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Back for more

It is my second copy for a musician friend knowing he is unlikely to hear bettter.NP
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N P.✓ Verified Buyer

Australia

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Die Entfuhrung

Excellent sound and soloists.What more could you want than Solti, Rothenberger and Blegen?There is one thing- a dvd of the German TV film by the same artists.Now that would something!Anonymous
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David R.✓ Top Reviewer

United States

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Gem of a Performance in Excellent Sound!

Solti had a special affinity for Mozart's operas, this one in particular. He conducts a lively, well-considered performance with some very fine singers. Rothenberger was a famous Konstanze, having recorded it in the studio with Krips and sung it at Salzburg with Wunderlich. A soprano friend of mine once told me "You can either sing the opening aria or you can't." Rothenberger definitely could and if there have been other Konstanzes that have sung "Martern aller Arten" with cleaner scale work few have sung the entire role with such beauty.Krenn is a very fine Belmonte. "Ich baue ganz" is cut in this performance as it usually was in those days. Blegen is a lovely Blondchen with a solid high E. Stolze's Pedrillo might start some arguments. I've always enjoyed his unusual voice, but here his dentist-drill tone works against the music. Czerwenka is a good Osmin, a little sloppy in the coloratura of "Ha! Wie will ich triumphieren!", but with a good low D. The Bassa is excellent though why it was deemed necessary to have a separate cast of actors for what remains of the dialogue is unclear. All the singers were native speakers (except Blegen) and the speaking voices just don't match the singing voices, especially in Pedrillo's case.Except for Belmonte's third aria, I didn't hear any other cuts. The sound is good broadcast stereo. A worthy addition to any Mozart lover's collection!
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Manfred B.✓ Verified Buyer

Germany

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Entführung......

Nur gekauft wegen Walter Krenn, der auch schon mit Fritz Wunderlich verglichen wurde!Wunderbare Aufnahme!Weiter so!
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