Milhaud: La Mère coupable - Curtin, Quilico, Tappy, Doucet, Anial; Baudo. Genève, 1966
Listen to a Sample:
- Milhaud's musical language combines 12-tone expressionism with 20th century French impressionism.
- Phyllis Curtin is sublime as Rosine, investing even the most atonal melody with line and musicality.
- Louis Quilico demonstrates that his musicianship was as impressive as his robust baritone.
- The sound is fair