Massenet

Thaïs

Gomez, McKinney, Egerton; Delacôte
Wexford, 1974

Regular price $17.95
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Thaïs

This performance from the Wexford festival belongs to the little-known baritone Thomas McKinney, in the showy role of Athanaël. McKinney has a lovely, supple instrument that he uses incredibly intelligently and with great attention to detail.

Jill Gomez' Thaïs fades into the background a bit when opposite him, but she more than holds her own in the role's challenging heights, floating effortlessly above the ensembles of Act I and plunging into despair for the Act II confrontation. Francis Egerton, a Covent Garden stalwart, gets a nice showing here as the playboy Nicias.

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4.5 Based on 2 reviews
5 ★ 1
4 ★ 1
3 ★ 0
2 ★ 0
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Frank L.✓ Top Reviewer

United States

Overall rating

Wonderful Thais

This is a beautifully performed Thais in excellent sound. Jill Gomez sings beautifully in this live version from the Wexford Festival. McKinney has a strong voice and plays his role wonderfully. I agree with Mr. Reynolds that this is a sleeper performance and I would not want to be without it. Thank you.
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David R.✓ Top Reviewer

United States

Overall rating

Sleeper of a Thais With Two Impressive Leads

Most of us will look at this Thais and move quickly on to one of Opera Depot's other choices. As a Massenet lover I finally purchased it on sale. It's one of the best recordings I've ever bought from Opera Depot. First of all, the sound is from an excellent stereo broadcast. There's a hint of congestion here and there, but overall it's a pleasure to hear.More importantly, the performance is terrific. Baritone Thomas McKinney is so good as Athanael that one wonders what kept him from the spotlight. His is a beautiful, strong voice paired with excellent diction and a keen understanding of the role. His cry of anguish when confronted with the vision of Thais' death in Act Three, scene 2 is painful to hear. Gomez is probably better known for her work in contemporary opera and cabaret. She too has a lovely timbre and a secure grasp of the aging courtesan's character. For those who care about such things, she ducks Thais' optional high Ds and just touches the few Cs. No matter; Gomez sings so beautifully and in such clear French you won't care.Francis Edgerton actually makes something out of Nicias, a role that usually goes for nothing. The supporting cast is unusually good. Delacote gives us more of the score than we normally get. He cuts the role of La Charmeuse from the ballet and tightens up Act Three, scene 2, but at least we get some of that important, but often omitted scene.Massenet lovers should get this!
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