Massenet

Le Roi de Lahore

Sutherland, Stevens, Morris, Opthof; Bonynge
Vancouver, 1977

Regular price $17.95
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Le Roi de Lahore

Richard Bonynge's greatest contribution to music, aside from his collaborations with Joan Sutherland, may be his championing of obscure repertoire that showcased her skill. Le Roi de Lahore is a prime example, a grand French opera with a commanding role for Sutherland, who is in excellent voice as the conflicted priestess Sita.

Bonynge lavishes care over a slightly trimmed edition of the score, particularly in the fantasy after-life sequence of Act III. Ronald Stevens' bright, supple voice is perfectly suited to the role of Alim, while a young James Morris wields his powerful bass with authority as the priest Timour. Cornelius Opthof uses his rather rough baritone to advantage as the villainous Scindia, and there are fine cameo performances from Spiro Malas and Huguette Tourangeau.

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2.6 Based on 5 reviews
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Antoninija S.✓ Verified Buyer

United States

Overall rating

Disappointed

Your "performance" was fine. The fidelity on this opera is horrible, you enclosed no libretto and liner notes. Likely won't order anything from you. I couldn't even listen past a few minutes.
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Antoninija S.✓ Verified Buyer

United States

Overall rating

Poor fidelity.

Opera Depot did great! They corrected my order promptly, superb job! The sound from this old live performance is horrible. I would replace this version with a more current recording that sounds clear. It's a great French opera. Jules Massenet was an awesome composer. Just my opinion.
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Richard W.✓ Verified Buyer

Canada

Overall rating

Le Roi de Lahore

Sound is OK and the performance very good. Sutherland is in great voice.
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David M.✓ Top Reviewer

United States

Overall rating

Limp Lahore

Some Oriental *parfums* aside, Le Roi de Lahore is lower-drawer Massent and one can only conclude that Dame Joan Sutherland learned it as a favor to hubby and mentor Richard Bonynge. Musically, the opera offers a few set pieces, separately by great amounts of musically lifeless arioso. Dimly and distantly recorded, this performance fails to make Massenet's case. Sutherland is in one of her droopy moods, offering little but *larmes de la void.* Perhaps her damp mood can be blamed on tenor Ron Stevens' tight and adenoidal tenoriizng in the title role. Huguette Tourangeau excels in her pants part, which gets one nice solo and Cornelis Opthof fights bravely against the energy crisis as the villain of the peace. As the god Indra, Spiro Malas deploys a buffo voice where some imposing sound is needed -- say that of James Morris, who makes a capital impression as the high priest Timour. This set is for Morris fans, Sutherland completists and diehard Massenet fans. More-casual aficionados of French opera can give it a miss. Move along, nothing to see here.
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Jeremy S.✓ Verified Buyer

United States

Overall rating

Jeremy Slavin

Another amazing performance by Dame Joan....better than her studiorecording of the work
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