It's safe to assume that any role Joan Sutherland undertook with the guidance of Richard Bonynge would feature intriguing musical choices and interpretative liberties, all shaped to highlight her distinctive talents. This unique take on The Merry Widow is no exception, introducing additional arias for Sutherland along with a fascinating overture. While the title role sits far outside her usual bel canto repertoire, she seizes every opportunity to interpolate high notes and proves that the middle of her voice was just as captivating. The supporting cast appears chosen to keep the spotlight on Sutherland, though Graham Clark makes a strong impression as Camille, and Margreta Elkins delivers a delightful cameo as one of the Grisettes.