For those who have only encountered this work through its famous arias, this recording makes a compelling case for its merits as a complete experience. It is remarkable to think that Erich Wolfgang Korngold was just twenty-three when he composed it. While the libretto occasionally leans toward the ponderous, the music never fails to enchant with its lush textures and exotic colors.

The cast is led by John Alexander, who, with his experience in the demanding tenor roles of Richard Strauss, sounds entirely at home navigating the role’s dizzying tessitura. Marylin Zschau, at the start of her career, sings with fresh tone and brings an ethereal, mysterious quality to Marietta/Marie.

The historical centerpiece of this performance, however, is the Fritz of George London, returning to the stage after vocal troubles. Ultimately, this was a comeback that never fully materialized, but there are still glimpses of his greatness, particularly in a haunting rendition of Pierrot’s Lied.