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Marie Collier
Marie Collier was an elegant singer whose operatic potential was tragically cut short by her sudden passing at just 43. While her voice may not have been immediately arresting, the brilliance of her artistry ran far deeper. Personally, it took me years to fully appreciate her uniqueness, but what ultimately drew me in was the way she balanced power and fragility in her performances—an approach that made her especially compelling in roles like Santuzza, Jenůfa, and Tosca. She also possessed remarkable stylistic versatility, as this recording demonstrates. Featuring excerpts from Il Tabarro, Aida, and Cavalleria Rusticana, along with a riveting final scene from The Makropulos Case sung in English, this collection offers a striking testament to her dramatic and vocal artistry.
Track List
2. Qui Radames verrà!.. O patria mia
3. La fatal pietra sovra me si chiuse
Aida. Buenos Aires, 1966
Charles Craig, Radamès
4. Tu che le vanità
Don Carlo. London, 1962
Cavalleria Rusticana. Vancouver, 1966
6. E ben altro il mio sogno
Il Tabarro. London, 1965
Charles Craig, Luigi
7. Final Scene
The Makropulos Case. London, 1971
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