Christa Ludwig’s career was monumental, both in the vast range of repertoire she mastered and in its remarkable longevity. What always stood out in her performances was her unwavering commitment to both character and music—so much so that one could almost forget the sheer beauty of her voice. And then, in a single golden phrase, she could summon a sound so radiant it might make an atheist consider the possibility of a higher power. She was the complete artist. Fans will appreciate this compilation, which showcases the breadth of her range with excerpts from Ariadne auf Naxos, Elektra, Der Rosenkavalier (as both the Marschallin and Octavian), Le Nozze di Figaro, Aida, Die Walküre, and Macbeth.