Cherubini

Medea

Gencer, Bottion, Raimondi, Mazzucato; Franci
Venezia, 1968

Regular price $17.95
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Medea

Leyla Gencer's voice may not have been to everyone's liking, but even her biggest critics can't discount her ability to completely inhabit a role with searing dramatic intensity even in the face of dizzying technical challenges. These qualities make for a Medea for the ages and although hers may lack the humanity that Maria Callas brought to the part, she makes up for it with oversized Greek emotion. It is a shame that Aldo Bottion's Giasone is so wooden by comparison. Although his singing is certainly admirable, I wish she could have been paired with someone like Vickers who could match her. Ruggero Raimondi is quite good as Creonte.

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4.5 Based on 4 reviews
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Robert C.✓ Verified Buyer

United States

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Gencer, Olivero, Zeani, Cerquetti

I am delighted to have purchased many revelatory performances by theseartists through Opera Depot whose service is impeccable with prices to match the service.
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David R.✓ Top Reviewer

United States

Overall rating

Don't Mess With This Medea!

Gencer always gave a performance. You might not have liked every sound that came out of her throat, but she enlivened everything she sang with her vocal colors and passionate commitment. This Medea shows why her fans were so devoted to her. Her Medea is no one to be trifled with. No wonder everyone in the opera is afraid of her! There are some intentionally shrill sounds to be sure and plunges into the chest register that are alarming - all done to create this fearsome, wounded, betrayed character. There are also many beautiful sounds when Medea is attempting to cajole Jason and Creon into giving her what she wants or when reflecting on her love for her children (that doesn't prevent her from killing them.)The other singers are good, especially the young Raimondi as Creon. Bottion sings well if without a lot of personality or maybe he just seems that way next to Gencer. Mazzucato is all right as Glauce, but doesn't have the vocal guns to dazzle us with her opening aria. Fioroni sings her big aria very beautifully indeed and deserves the warm applause she gets. Franci leads an exciting performance of an opera that lives or dies by its anti-heroine.The sound is excellent broadcast monaural. The Pirate Gods smiled on this venture and we benefit from it. Gencer fans must have this recording!
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Francisco C.✓ Verified Buyer

Spain

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Francisco Luis Segalerva Cabello

Greatness in music
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Nicholas✓ Verified Buyer
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Nicholas

L. Gencer did not always “inhabit” a role. There is a video recording of her Aida in which she acts in an absurd way. From what I have seen and heard of her, she simply did not have the “gravitas” to sing serious parts. To mention her in the same breath as Callas, especially in relation to Medea, is ridiculous.
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