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Fidelio
Anja Silja was originally slated to sing this performance but had to withdraw, paving the way for Gladys Kuchta, who steps in with assurance. Though she occasionally struggles with the most stratospheric moments, Kuchta offers a warm tone and Wagnerian weight that remains free of harshness, giving her Leonore an appealing strength. Vilem Pribyl brings welcome youthful lyricism to Florestan, while Kurt Böhme lends fatherly warmth to Rocco. Georg Solti draws an ideal balance of fiery romanticism and classical elegance from the orchestra.
Track List
Act I
1. Ouvertüre
2. Jetzt, Schätzchen, jetzt sind wir allein
3. O wär ich schon mit dir vereint
4. Mir ist so wunderbar
5. Hat man nicht auch Gold beineben
6. Gut, Söhnchen, gut
7. Marsch
8. Ha, welch ein Augenblick!
9. Jetzt, Alter, jetzt hat es Eile!
10. Abscheulicher! Wo eilst du hin?
11. O welche Lust, in freier Luft
12. Nun sprecht, wie ging's?
13. Ach, Vater, Vater, eilt!
14. Leb' wohl, du warmes Sonnenlicht
2. Jetzt, Schätzchen, jetzt sind wir allein
3. O wär ich schon mit dir vereint
4. Mir ist so wunderbar
5. Hat man nicht auch Gold beineben
6. Gut, Söhnchen, gut
7. Marsch
8. Ha, welch ein Augenblick!
9. Jetzt, Alter, jetzt hat es Eile!
10. Abscheulicher! Wo eilst du hin?
11. O welche Lust, in freier Luft
12. Nun sprecht, wie ging's?
13. Ach, Vater, Vater, eilt!
14. Leb' wohl, du warmes Sonnenlicht
Act II
15. Gott! Welch Dunkel hier!
16. Wie kalt ist es in diesem unterirdischen Gewölbe!
17. Nur hurtig fort, nur frisch gegraben
18. Euch werde Lohn in bessern Welten
19. Er sterbe!
20. O namenlose Freude!
21. Heil sei dem Tag
22. Wer ein holdes Weib errungen
16. Wie kalt ist es in diesem unterirdischen Gewölbe!
17. Nur hurtig fort, nur frisch gegraben
18. Euch werde Lohn in bessern Welten
19. Er sterbe!
20. O namenlose Freude!
21. Heil sei dem Tag
22. Wer ein holdes Weib errungen
BONUS
23. Abscheulicher
Fidelio. Hamburg, 1957
24. Johohohe! Johohohe!
Der fliegende Holländer. Buenos Aires, 1965
25. Mild und leise
Tristan und Isolde. Buenos Aires, 1963
Fidelio. Hamburg, 1957
24. Johohohe! Johohohe!
Der fliegende Holländer. Buenos Aires, 1965
25. Mild und leise
Tristan und Isolde. Buenos Aires, 1963
Customer Reviews
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4.7
Based on 3 reviews
✓ Top Reviewer
United States
Excellent Fidelio in Excellent Sound!
Though I love Anja Silja very much I'm glad Gladys Kuchta got to replace her for this concert performance of Beethoven's opera. Kuchta didn't lack for work, but except for a studio recording of Fidelio (with Julius Patzak) she never had a commercial recording career and so she lives on through pirates of broadcasts and in-house tapes. She is very fine here though not perhaps in her best voice (the top Bs in the big aria are effortful). Andy gives us her recording of "Abscheulicher!" from a decade earlier as a filler and there she shows how special her voice really was. The rest of the cast is very satisfying. Robson sings Marzelline like an angel and Bohme is very effective as Rocco. Fliether is an expert Pizarro and John Dobson an adorable Jaquino. The chorus and orchestra perform very well under Solti's dynamic, elegant direction. The dialogue is performed very convincingly. As he did in Chicago years later, Solti cuts the dialogue between the end of Leonore's aria and the Prisoners' chorus. The sound is excellent. Andy treats to us to a mini Kuchta recital after the opera finishes, further showing us what an underrated singer Kuchta was.
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✓ Top Reviewer
Slovenia
It is very nice recording
It is very nice recording with good or excellent singers in all roles. Perhaps is noise to music ratio a bit high, however a welcome addition to my collection.
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✓ Verified Buyer
Austria
Fidelio with Solti live from London
This recording is a very rare example for a recording of Fidelio under the baton of Sir Georg Solti. For Solti fans a must have!! The singers are all well and teh orchestra plays fine.
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