Beethoven

Fidelio (Excerpts)

Rysanek, McCracken, Hotter, Kreppel, Lo. Rysanek, Dickie, Schöffler; Krips
Wien, 1965

Regular price $9.95
Select Format
Add to Wishlist Added to Wishlist

Fidelio

Despite the sound limitations, this recording of Fidelio presents a dream cast for admirers of the opera. Leonie Rysanek is radiant in the title role, her voice blazing with conviction and emotional immediacy. James McCracken's burly tenor proves surprisingly agile in the lyrical moments—though regrettably his aria is not included here. Hans Hotter delivers a chillingly understated Pizzaro, and Lotte Rysanek, despite the unusual casting situation opposite her sister, gives a vocally impressive Marzelline. Paul Schöffler lends gravitas in his brief appearance as Don Fernando. The sound, however, is far from ideal, and there are two noticeable patches of skipping that were left in due to the exceptional quality of the singing.

Recently viewed

Example product title

Example product title

Example product title

Example product title

Example product title

Example product title

Customer Reviews

Share your experience with fellow collectors

3.0 Based on 2 reviews
5 ★ 0
4 ★ 0
3 ★ 2
2 ★ 0
1 ★ 0
David R.✓ Top Reviewer

United States

Overall rating

Rysanek and Cast Great, Sound So-So

Here we have another disc from the burgeoning "Rysanek Files": some intrepid Rysanek fan recorded all of her part from somewhere in the house - in this case, the prompter's box. One hears him whispering cues and it is the orchestra that sounds distant for a change. There is some unpleasant overloading in the Act Two finale, but the voices are very clear. There is also someone talking during "Abscheulicher". Then there is the matter of the clicking that invades a couple of tracks in the second act like annoying crickets (Andy calls it skipping). It doesn't last that long (2 minutes or so) and is worth enduring for the performance. Rysanek is terrific as is her sister Lotte as Marzelline. McCracken is over the top in his dialogue, but sings well. Be aware: his aria is not included here. Hotter sounds vocally exhausted; he's still an intimidating Pizarro. I enjoyed these excerpts and recommend this disc to Rysanek fans (either Leonie's or Lotte's).
Report
James B.✓ Verified Buyer

United Kingdom

Overall rating

Fidelio - or Leonore?

Despite Opera Depot's assertion the sound is far from ideal, I thought that the sensation of voices ringing out in the acoustic of the Staatsoper was well caught, something I have often found with in-house material from that source. True, there are skips and some horrendous overloading in the final scene, but it would have been worth mentioning that, in a huge anticlimax, the final scene fades out seconds before the end of the opera. Also, McCracken fans beware; Florestan's aria is missing. Perhaps these excerpts should be called Leonore, since they include almost all of Leonie Rysanek's uniquely feminine yet powerful interpretation, and sister Lotte's Marzelline, also unusually sympathetic, both are simply wonderful in dialogue. Hotter's Pizarro, admittedly caught late in the day, remains authoritative and Krip's conducting feels unobtrusively right and subtly supportive. OK, the sonic thrills are limited, but this is a fascinating and important document from the great years of the Staatsoper and as a great admire of theViennese ensemble - and Rysanek - I'm delighted that Opera Depot has unearthed this recording.
Report