Samuel Barber's Vanessa makes a compelling case for his unique blend of gothic neo-romanticism in what is arguably his finest opera. In the title role, Johanna Meier combines sumptuous vocal opulence with crystal-clear diction, creating a deeply compelling portrait of the enigmatic heroine. As Erika, Katherine Ciesinski beautifully captures the character's youth and optimism while singing with warmth and sensitivity.

Henry Price, as Anatol, brings a sweet, lyrical tone to the role and matches his colleagues in their remarkable attention to the text. Altogether, this is an outstanding introduction to the opera. I found myself understanding virtually every word without the aid of a libretto, a testament to both the singers' exemplary diction and the clarity of the dramatic pacing.