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Scenes from La Gioconda, Otello & Il Trovatore
Astrid Varnay would go on to make her mark in the world of Wagner and Strauss, but she shows in these performances from Mexico City (recorded when she was only 30) that she could have easily become one of the preeminent exponents of Italian opera. She brings an ease of production, impeccable style and her signature dramatic abandon to each of these roles. The excerpts from La Gioconda and Otello have never before been available. To fill out the rest of the recording, I have included excerpts from Il Trovatore from a complete performance in our catalogue.
Track List
La Gioconda (Act IV)
1. Suicidio!
2. Ecco, il velen di Laura
3. Gioconda!... Enzo!... sei tu!
4. Enzo!... Chi è là!
5. Quest'ultimo bacio che il pianto innonda
2. Ecco, il velen di Laura
3. Gioconda!... Enzo!... sei tu!
4. Enzo!... Chi è là!
5. Quest'ultimo bacio che il pianto innonda
Otello
6. Già nella notte densa
7. Mia madre aveva una povera ancella
8. Ave Maria, piena di grazia
7. Mia madre aveva una povera ancella
8. Ave Maria, piena di grazia
Il Trovatore
9. Che più t'arresti?
10. Tacea la notte
11. Di tale amor che dirsi
12. Timor di me... D'amor sull'ali rosee
13. Udiste? Come albeggi, la scure al figlio
14. Vivrà! Contende il giubilo
10. Tacea la notte
11. Di tale amor che dirsi
12. Timor di me... D'amor sull'ali rosee
13. Udiste? Come albeggi, la scure al figlio
14. Vivrà! Contende il giubilo
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5.0
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✓ Top Reviewer
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Astrid Varnay Fans Will Love This!
In 1948, Varnay was only seven years into her career and already sounded like a seasoned Diva in the best sense. She is best known for her Wagner and Strauss roles, but she shows herself to be a formidable singer of the Italian repertoire on this disc of excerpts from her Mexico City performances in 1948.I don't know whether or not she sang either Gioconda or Desdemona much after these performances. From La Gioconda we get about 20 minutes of the last act beginning with "Suicidio!" through the end of the trio with Enzo and Laura (no finale with Barnaba - curses!). From Otello, we get the big duet from Act 1 and the complete Willow Song and Ave Maria from Act 4. The Trovatore excerpts are drawn from the complete recording already available from Opera Depot.I don't have the space to go into details, but Varnay's imagination and musicality shine forth in every selection. She always had a strong top and an excellent trill that she displays here in the Trovatore excerpts. There may be more beautiful, Italianate voices, but few that are so alive to the nuances in the text and vocal line. Vinay sings superbly as Otello as does Warren in the big duet from Trovatore. Baum is very good as Enzo; I think that's Winifred Heidt as Laura though she isn't credited.Though derived from decades-old acetate discs the sound is very listenable. Opera Depot has also taken care to pitch everything correctly.My only regret about this disc is that the Gioconda and Otello performances have not survived complete.
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