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Lucia di Lammermoor
This performance of Lucia di Lammermoor stands out primarily for the fact that it features the superb José Carreras as Edgardo. In the mid-1970s, his voice was unmatched in its combination of beauty and virility, making his portrayal truly exceptional.
He is joined by Cristina Deutekom, who possessed one of the rarest vocal instruments: a true dramatic coloratura. It is a rare treat to hear a Lucia who can deliver such power and passion (slancio) while effortlessly navigating the role's treacherous vocal demands.
Track List
Act I
1. Preludio
2. Percorrete le spiagge vicine
3. Tu sei turbato!
4. Cruda, funesta smania
5. Il tuo dubbio è omai certezza
6. La pietade in suo favore
7. Ancor non giunse!…
8. Regnava nel silenzio
9. Quando rapito in estasi
10. Egli s'avanza… Lucia, perdona
11. Sulla tomba che rinserra
12. Verranno a te sull'aura
2. Percorrete le spiagge vicine
3. Tu sei turbato!
4. Cruda, funesta smania
5. Il tuo dubbio è omai certezza
6. La pietade in suo favore
7. Ancor non giunse!…
8. Regnava nel silenzio
9. Quando rapito in estasi
10. Egli s'avanza… Lucia, perdona
11. Sulla tomba che rinserra
12. Verranno a te sull'aura
Act II
13. Lucia fra poco a te verrà.
14. Il pallor funesto orrendo
15. Soffriva nel pianto… languia nel dolore…
16. Se tradirmi tu potrai
17. Ebben?.. Di tua speranza l'ultimo raggio tramontò!
18. Per te d'immenso giubilo
19. Dov'è Lucia?
20. Chi mi frena in tal momento?
21. T'allontana sciagurato…
22. Esci, fuggi il furor che ne accende
23. Orrida è questa notte come il destino mio!
24. O sole più rapido a sorger t'appresta…
14. Il pallor funesto orrendo
15. Soffriva nel pianto… languia nel dolore…
16. Se tradirmi tu potrai
17. Ebben?.. Di tua speranza l'ultimo raggio tramontò!
18. Per te d'immenso giubilo
19. Dov'è Lucia?
20. Chi mi frena in tal momento?
21. T'allontana sciagurato…
22. Esci, fuggi il furor che ne accende
23. Orrida è questa notte come il destino mio!
24. O sole più rapido a sorger t'appresta…
Act III
25. D'immenso giubilo
26. Dalle stanze ove Lucia
27. Eccola!.. Il dolce suono
28. S'avanza Enrico!…
29. Spargi d'amaro pianto
30. Tombe degli avi miei
31. Fra poco a me ricovero
32. Oh meschina! Oh fato orrendo!
33. Tu che a dio spiegasti l'ali
26. Dalle stanze ove Lucia
27. Eccola!.. Il dolce suono
28. S'avanza Enrico!…
29. Spargi d'amaro pianto
30. Tombe degli avi miei
31. Fra poco a me ricovero
32. Oh meschina! Oh fato orrendo!
33. Tu che a dio spiegasti l'ali
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4.5
Based on 4 reviews
✓ Verified Buyer
Switzerland
Frau ohne Schatten and Lucia Macerata
Both are very good recordings with amazing sound. Can only recommend.
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✓ Top Reviewer
United States
Excellent Performance in Very Good Sound!
Deutekom's bel canto roles were not recorded commercially except for various arias. There are, however, pirates of Armida, Puritani, and this Lucia. By the time of this recording (1975), Deutekom had largely adapted her coloratura technique so that her runs and fioratura were more legato and less yodelled (listen to her exciting Queen of the Night for Solti if you want to know what I mean by yodelled). Her ornamentation is quite conservative and based very much on the Italian traditions of the role. The high notes are huge and thrilling. Her actual interpretation of Lucia is a little bland, but hearing that voice in the house must've been an experience. Carreras is probably the real attraction here as he sings like a God. His voice in 1975 was a marvel of beauty from top to bottom. The audience worships him. Fioravanti sings Enrico very well, proving again how underrated he was. Cava is a solid, if not very imaginative Raimondo. Gatto leads a performance in which all the normally cut scenes are restored, but he makes slashing cuts within them. The sound is very listenable with the voices almost always audible over the orchestra (occasionally the singers wander upstage and off-mic). This must've been recorded from the pit as individual instruments are heard very distinctly at times. The tapist moves the mic sometimes causing the sound to "wrinkle" a bit, but it doesn't last long.Lucia lovers and especially Deutekom and Carreras fans will want this!
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✓ Verified Buyer
Spain
Una buena grabación con datos erróneos
En casi todas las discográficas (House of Opera, Standing Room, Première...) figura esta grabación como procedente de una performance realizada en Madrid en 1975. Es falso. Deutekom no cantó nunca en Madrid, Carreras no cantó nunca Lucia di Lammermoor en Madrid y Giulio Foravanti jamás cantó en España. La toma procede de una "recita" en la Arena Sferisterio de Macerata que tuvo lugar el 13 de julio de 1975 . Por lo demás, una magnífica interpretación bastante bien grabada.
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✓ Verified Buyer
Rock
Great: sound, cast, opera. Deutekom could even handle dramatic roles likeAttila. Carreras had a voice of stunning beauty. Like so many tenors hedamaged it by singing heavy roles ala Pavarotti. Fioravanti was a fine baritonewho never became very famous. He sang Enrico on a filmed Lucia w/ Anna Moffo.
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